Patrick McLaughlin is an inventive and seasoned contemporary blues musician with a widescreen musical perspective that reaches beyond preconceived boundaries. His artistry draws from rock, jazz, soul, indie-rock, and R&B. Just Like The Record is a culmination of a creative journey capturing the many facets of Patrick’s artistry at a high level. The songs feature fresh collaborations, instrumentation, and some of Patrick’s finest songwriting. “I make it a rule for my latest record to never sound like my previous one. This album was built to sound different.
This song is about my wild nights and the feeling about how safe and lucky I felt to be alive after totally losing control. It's dedicated to who didn't have the same fate. It's an experimental ballad with intriguing vodoo flavours. The energy is repressed and follows an anxious beat of thousands of percussions. Follow the stream of the beat dancing. Try the experimental vibes as a cure. Feel the unusual rocky mood of a hidden dance floor in Prague. Dance like a night Queen or hunt the vampires.
A indie-rock trio from Staunton, Virginia.
Master musician Graham Whorley is originally from Lynchburg, Virginia, but after nearly 30 years of living in Charleston and playing his way through the ever-changing club circuit here, the man is now something of a Lowcountry legend. In fact, Whorley told the City Paper that prior to the pandemic, he averaged more than 300 area shows a year.
"With all its sham, drudgery and broken dreams, it is still a beautiful world." This line from Desiderata encapsulates the philosophy of English singer/songwriter/multi-instrumentalist Martin Paul Cuthew. Music is a mix of catharsis and celebration. His meditations on love, hope and longing are set against bright sonic colours and warm, rich tones - a foundation of acoustic-rock vocal/guitar is enriched with bold synths and beats to form gutsy pop-rock songs.
We are a 5 piece all male indie rock / alt band from Houston, Texas.
We write, record and perform our own original music in the Houston and Austin areas.
Written & performed by DRES_
Flint began as a desire to create a sound that is not obvious, but which traverses several realms of rock. Odd tunings, unexpected chord progressions, peculiar percussion are blended carefully with lyrical musings that take listeners on a roller coaster ride of moods, feelings and ideas. At one moment, a listener may hear something remotely familiar; however, before they can digest the sound, it is transformed into something unforeseen, or was it?