My guest on the Holistic Health Show, Zoe from Sweden,   has a MSc in Neurochemistry from the University of Stockholm and the Medical University Karolinska Insitute.
She has a career in the research field of Alzheimers disease and DNA vaccines, and she has always had a Holistic approach to restore perfect health with her clients.
Zoe is an Internationally certified Kundalini yoga teacher and healer, and works as a psychic medium.
She has also had a career in the music business, as a singer and a songwriter and competed in the Eurovision song contest. We will hear her sing one of the songs she wrote at the end of the interview.
Zoe has developed her own "concepts" BAAM, NLH and DNA activations and they all assist people in becoming totally healthy and self empowered.

I found the following information about her music on the Internet.

Zoë’s clear and soulful voice will take you to dimensions you might not have been in touch with before. Her lyrics will dress your life in an astonishing ballroom gown and her melodies are the steps of her dance in life. The basic messages in her songs are of course love, in all different forms and variations, and all the beauty and fun in life.

Zoë was born in Stockholm some 30 years ago, and started her musical career at the age of 10 at the renowned Adolf Fredrik School of Music. During her early teens she started to combine the classical training with her growing love for jazz, pop and soul music at Kulturama. At 16 she participated in the Swedish championship of Rock (Rock-SM), with the ABBA-song "Thank You For the Music". At 21 she performed in the TV-show "Sikta mot stjärnorna" as Mariah Carey, with the song “Anytime You Need a Friend”. Wearing the largest wig ever seen! To broaden her musical views she went to the States and Berklee College of Music - a school with strong roots in jazz and soul. Filled with inspiration she went back home to Sweden and started the band SoulSurfers, playing original funky music, written by herself and the other band members. Zoë has worked with different producers along the years, both as an artist and a songwriter, e.g. Johan Åberg (Christina Aguilera) among others. During several years she worked with the producer and bass player Stefan Olsson, who produced Zoë’s songs, and 2002 she participated in the TV-show “Melodifestivalen”, which is the Swedish part of the Eurovision Song contest, with her song "Hollywood-Do". Both “Hollywood-Do” and the following single "Stumble" were frequently played on the radio in Scandinavia.

RANIA KHALEK is  an independent journalist covering the plight of the underclass and marginalized. Her work has appeared at The Nation, Al Jazeera America, Truthout, Salon, AlterNet, Extra, Citizen Radio, Electronic Intifada, and more.

She lives just outside the rotting establishment cesspool that is Washington, DC. and thinks the establishment media, with a few very minor exceptions, totally sucks. Her website https://raniakhalek.com/ is her way of combatting that.

Recently, Rania wrote a review of American Sniper that garnered quite a bit of attention she will speak about this as well as her many other subjects she writes about.

“American Sniper” spawns death threats against Arabs and Muslims by Rania Khalek

Following the release of the film American Sniper in theaters across the US, the American-Arab Anti-Discrimination Committee (ADC) has warned of a “significant rise in violent hate rhetoric targeting the Arab and Muslim-American communities.”

The ADC believes the threats “are directly linked to the negative media coverage and hateful propaganda launched against the Arab and Muslim communities following the attacks on the Charlie Hedbo offices in France” earlier this month. But the civil rights organization notes that racist threats have intensified in the wake of American Sniper, with moviegoers taking to social media to express their desire to murder Arabs and Muslims after leaving the theater.

Having both watched the movie and read the book on which it is based, I am not the least bit surprised by the incitement it has spawned. American Sniper is brilliant propaganda that valorizes American military aggression while delivering Hollywood’s most racist depiction of Arabs in recent memory, effectively legitimizing America’s ongoing bombing campaigns across the Middle East.

Unrepentant mass killer

American Sniper, directed by Clint Eastwood, is based on the autobiography of Navy SEAL Chris Kyle, reputedly the deadliest sniper in American history.

Replete with hatred, bigotry and unrepentant bloodlust, Kyle’s book boasts of killing 160 Iraqi “savages” during his four deployments in Iraq following the illegal US invasion and occupation in 2003.

“Savage, despicable evil. That’s what we were fighting in Iraq,” Kyle writes in his book.

“I only wish I had killed more,” he writes, adding, “I loved what I did … It was fun. I had the time of my life.”

“They hated us because we weren’t Muslim. They wanted to kill us, even though we just booted out their dictator, because we practiced a different religion than they did,” adds Kyle, who goes on to confess, “I don’t shoot people with Korans – I’d like to, but I don’t.” In Kyle’s mind, all Iraqis who resisted the invading US soldiers were irrationally violent religious fanatics.

In stark contrast, Hollywood sanitizes Kyle, humanizing him as a complex, likable and anguished hero.

Hateful

Following the movie’s debut in select theaters on Christmas Day, author and journalist Max Blumenthal and I were deluged with death and rape threats for tweeting our disgust with Hollywood’s glorification of a mass killer and exposing the racism and lies espoused by Kyle. Although Kyle’s most ardent supporters claim to hate ISIS and al-Qaeda, they often call on these terrorist groups to behead critics of US military aggression.

The movie has since broken box office records, grossing $105 million during its nationwide opening and garnered accolades from across the political spectrum (Vice President Joe Biden said he wept at the Washington, DC premier). In addition, the movie scored six Academy Award nominations.

Frustrated by the glorification and whitewash of a racist mass killer, I posted passages from Kyle’s book on Twitter, highlighting his hateful and homicidal statements and drew attention to the anti-Arab and anti-Muslim threats the movie was inspiring, all of which I compiled into a Storify that went viral.

The reaction to the movie has since snowballed into a partisan bickering match, with celebrities chiming in.

Actor Seth Rogen compared American Sniper to Stolz der Nation (Nation’s Pride), a fictitious Nazi propaganda film about a glorified Nazi sniper that appears at the end of the Quentin Tarantino movie Inglorious Basterds (the Nazi sniper is shown mowing down American and British soldiers with great efficiency and apparent moral superiority). Documentary maker Michael Moore also stirred controversy when he tweeted that snipers “aren’t heroes,” though he later clarified he was not referring to American Sniper, which he liked. Nevertheless, a who’s who of rightwing celebrities, pundits, politicians and worshippers of US military aggression have whipped up an ultra-nationalist frenzy, firing back against the movie’s critics.

Meanwhile, growing criticism of American Sniper appears to be damaging its chances of winning at the Oscars, with Academy members expressing concern that the film glorifies a “sociopath.”

Racist atrocity porn

While the canonization of Kyle on the big screen is appalling, the movie’s whitewash of the US destruction of Iraq and its racist portrayal of Arabs has proven to be far more dangerous.

The US destruction of Iraq left an estimated one million Iraqis dead, 4.5 million displaced, five million orphaned, some two million widowed and birth defects and cancer rates significantly worse than those seen in the aftermath of the atomic bombing of Japan at the end of the Second World War. The US war on Iraq also fueled the rise of ISIS. This immeasurable suffering is completely erased from the narrative presented in American Sniper.

In the opening scene of the film a conflicted Chris Kyle (played by Bradley Cooper) is perched on a rooftop with an Iraqi mother and child in the crosshairs of his sniper scope. He watches the mother give the child a grenade to throw at a US marine convoy. He reluctantly seeks permission to shoot.

Suddenly the screen cuts to Kyle as a child hunting with his father in Texas. Another scene shows him at church. Next he’s at the dinner table.

“There are three types of people in this world: sheep, wolves and sheepdogs,” says Kyle’s father. “Now, some people prefer to believe that evil doesn’t exist in the world … those are the sheep. And then you got predators who use violence to prey on the weak. They’re the wolves. And then there are those who have been blessed with the gift of aggression, and the overpowering need to protect the flock. These men are the rare breed that live to confront the wolf. They are the sheepdog.”

For the rest of the movie Kyle is the sheepdog, the protector, the hero. And Iraqis are the evil wolves he must put down to protect the lives of his fellow “sheepdogs.”

Next we see Kyle as an adult. We watch him fall in love, get married and join the SEALs. Then the Twin Towers fall and he is deployed to Iraq, a narrative that leaves the poorly informed with the impression that Iraq was involved in the 11 September 2001 attacks, the very lie that the Iraq war was predicated on. This false narrative is reaffirmed when al-Qaeda appears in Iraq on Kyle’s first tour in 2003, a revisionist history that conflates indigenous armed resistance to a foreign occupier with a terrorist group that attacked the United States. In a country where 43 percent of Americans still believe that Iraq was connected to the 11 September 2001 attacks, perpetuating this falsehood, even if unintentional, is reckless.

Eventually, we return to the scene in the movie’s opening. Kyle shoots the child to save the Marine convoy. The mother runs towards the felled child, collects the grenade and prepares to launch it in the direction of the soldiers. Kyle shoots the woman dead at mid-launch. The grenade explodes before it reaches the soldiers.

“There was a kid who barely had any hair on his balls, his mother gives him a grenade and sends him out there to kill Marines,” says an agonized Kyle. “That was evil like I’d never seen before.”

This black and white, good versus evil theme continues throughout the movie’s entirety. US soldiers are humanized. They have names and families, fiancées and children. And they return home with deep physical and psychological wounds, whereas the local Arab population, including the women and children, are depicted as terrorists. The only time Arab women and children are innocent victims is when they are being brutalized by scary Arab men, but even they are nameless figures.

Marlow Stern at The Daily Beast provides a cogent summary of the movie’s depiction of Arab characters:

The “savages” consist of [Abu Musab] al-Zarqawi, who’s introduced via the infamous clip of him decapitating [American radio-tower repairman] Nick Berg; his No. 2, “The Butcher,” who brutally executes an informant’s young son by drilling his head with a power tool, and stores people’s heads on shelves; and Mustafa, a Syrian Olympic sharpshooter who videotapes his kills and hawks bootlegs of them on the street. Mustafa is, like all classic villains, dressed in black, doesn’t utter in a word, and is single-minded in his pursuit of Kyle – he has a poster of Kyle’s bounty, $180,000, on his wall, and spends his spare time spinning an armor-piercing bullet on a table.

In the end, it wasn’t Iraqi “savages” that killed Kyle. A fellow soldier suffering from post-traumatic stress disorder shot Kyle dead at a Texas gun range in 2013, a fact the film glosses over before cutting to footage from Kyle’s real-life funeral. Some may have even left the theater with the impression that Kyle was killed in Iraq.

Where are the moderates?

As the threats against Arab and Muslim Americans and critics of American Sniper escalate in their ferocity, one is left wondering: where are the American moderates? Why haven’t the movie’s director, producers and actors condemned the violent extremism their film is inciting?

(Jim DeFelice, one of the co-authors of the book American Sniper, condemned the threats of violence unleashed after I implored him to in a debate on Uprising Radio.)

Under the threatening circumstances, the American-Arab Anti-Discrimination Committee is encouraging Arab, Muslim, South Asian and Sikh-American communities to be on alert and report any hate crimes to the authorities.

“If you are placed in physical danger because of your ethnicity, religion or national origin: Call the police (dial 911 in most communities), and/or click here to contact your local FBI office. It is the FBI’s job to investigate hate-motivated crimes and specific threats of violence. You can also report a hate crime to the FBI online using this form,” says the ADC advisory.

“If you feel you have been a victim of a hate crime, of if any individual or place of worship needs any assistance with any of the above, including dealing with law enforcement, please contact the ADC Pro-Bono Legal Department at 202-244-2990 or legal AT adc DOT org.”

Abby Martin interviews independent journalist, Rania Khalek, about the new film ‘American Sniper’ and why it’s such a controversial choice to receive a Best Picture Oscar nomination.



https://www.youtube.com/watch?v=zLgAImPrKHU

Lantz Lazwell & the Vibe Tribe service the deep, melodic desires that drive us to dance with their eclectic Rock ’n Soul beat—sourcing the highest class of funk to deliver you to your most righteous dance floor groove.

Lantz has not only been a national touring artist for years, touring and sharing the stage w such greats as George Clinton, Bernie Worrel, Eric McFadden, Norwood Fisher (Fishbone), Stephen Perkins (Janes Addiction), but also was the winner of a Los Angeles Music Award for “Best Rock Male vocalist ” in 2007.
His new project “Lantz Lazwell and the Vibe Tribe”, utilizes interchangeable mediums for sound, like their soul-satisfying electronic collaborations fusing Live instruments and electronic sub bass lines. Lazwell & Tribe are often found performing with aerialists, fire spinners, & top-notch performers of a divinely peculiar breed. A power house of talent & noteworthy showmanship, each member takes joy in maximizing viewer experience to the highest level. Thru pairing digital & performance art with their interstellar funk, this Band immerses its audience in a captivating auditory & visual realm—dictated solely by the stories issuing from Lazwell & Tribe’s soul-melting lyrics & musical score.

A festival staple & “Burner-Approved” venue sweetheart, Lantz Lazwell & the Vibe Tribe bring the groove-based anthem back into your heart & rock you right. For booking info contact phYne Entertainment – booking@phYneentertainment.com

GUEST:  ELISE BALLARD

Elise Ballard is the host and creator of the online community and website, Epiphany Channel, and the author of Epiphany: True Stories of Sudden Insight to Inspire, Encourage and Transform (Random House/Crown Publishing), a collection of over 50 interviews with amazing people from all walks of life recounting the stories of their greatest epiphanies. She started her career in entertainment working as an actress and moved into independent filmmaking and producing in Los Angeles as a partner in a production company who had films distributed by Lions Gate and Monarch Entertainment. Her directorial debut, Lord of the Wiens: A Dachumentary, a movie about the annual Wiener Dog Races in Buda, TX, became a cult hit.

She is a regular contributor to Psychology Today and the wildly popular website, Positively Positive, and she recently was invited to speak at a TED event where she delivered two talks – one for middle and high school kids and one for adults. Elise also had the privilege of being invited to attend and cover the 2011 Nobel Prizes, and she serves as one of the judges for the prestigious Humanitas Prize in Los Angeles, awarding writers for emphasizing and celebrating humanistic values in their work. She has created, directed and produced numerous projects including the YOU DVDs accompanying the YOU book series by world-renowned, bestselling authors, Drs. Mehmet Oz and Michael Roizen. She currently is in development on several projects, including more for the Epiphany Channel, film and television versions of the Epiphany project, and future books for the Epiphany series.

To CONTACT Elise about interviews, speaking engagements or workshops or anything else interesting and fun, please reach out to her at elise@epiphanychannel.com

If you know that certain flower essences have miraculous
spiritual healing properties and would LOVE to celebrate
 Valentine’s Day with a relationship miracle of your own,
you’ll want to tune in to this show for 3 good reasons.

1- Brent Davis has pioneered a unique method of
    extracting the essence of whole uncut flowers
 in the way that he’s proven will dramatically
   alleviate anxiety, grief and other love blocks.

 2- Brent has just published a definitive book on his
  work, and we’ll be reviewing his research and
       evidence of a breakthrough for emotional health.

3- For those who listen to the show, you can get
samples of his amazing products in time for
 Valentine’s Day, and at wholesale; 40% off.

Welcome Dr. Brent David to Cosmic LOVE
with your Presence!

~ Christopher Rudy

KERANI

Arctic Sunrise

Kerani, one of the top instrumental keyboardists in Northern Europe, explores earth’s polar regions with her third album, Arctic Sunrise, which also symbolizes a spiritual awakening.

“In this time of global climate change with the polar caps melting more than ever before,” explains Kerani, “I felt it was important to call attention to these beautiful and important Arctic and Antarctica wilderness areas.”

The music focuses on her piano and synth playing supplemented here and there with guest musicians on violin, cello, guitar, horn and flute, plus percussion, drums, some nature sounds and a little wordless vocalizing by Kerani.  The tunes were inspired by the native Inuit Indians of the Arctic region, an ill-fated British expedition to the South Pole in 1911, the country of Norway, the Northern Lights, huge blocks of ice breaking off the polar caps and drifting out to sea, and an appreciation for these spectacular wilderness regions.  This new age music, “a true tribute to the mysterious worlds of ice,” is delicate one moment and majestic the next, and is filled with musical imagery, spirituality, grandeur and mystery.

Kerani’s musical career also encompasses writing and performing music for films, and recording and performing with mystical British singer-songwriter Asher Quinn (aka Asha).

Kerani’s albums -- Arctic Sunrise, The Journey and Wings of Comfort -- are available as CDs and digital downloads worldwide at a wide variety of online sales sites including CDbaby, Amazon, iTunes, eMusic, CDuniverse, Spiritualbalance.nl (Belgium and The Netherlands), Magicmusic.de (Germany, Austria and Switzerland) and Redeye.com.au (Australia).  More information about Kerani is available at her English-language website, kerani.nl.

“When I started writing Arctic Sunrise,” explains Kerani, “I imagined an Inuit seeing the first sun on the horizon after six months of darkness.  I wanted to create a feeling of awe, respect and humbleness.  As we go through life, it is easy to think of our problems and fears as major.  This causes so much emotional suffering.  However, when we place ourselves between the Earth and the Universe, we come to understand that we are being taken care of by the Universe.  Then all our problems become meaningless. In this sense the idea of an Arctic Sunrise -- a time of coming out of the cold darkness into the beautiful warm light -- can surely be interpreted as a spiritual awakening.”

Leading up to this album, Kerani wrote scores for “Antarctic Inspection” and “Rothera,” documentaries made by the NWO (Dutch Institute for Scientific Research).  She also did her own research on Arctic and Antarctic exploratory expeditions.  The title track was specifically influenced by a report written by the Danish explorer Knud Rasmussen during the Fifth Thule Expedition 1921-1924 in which he recorded a genuine Inuit poem that says that despite all our adventures and fears, “There is only one great thing...the great day that dawns and the light that fills the world!”  Kerani also was inspired to compose “Aurora Sky” after reading the 1894 report by the Bureau of American Ethnology that describes the Eskimo legend surrounding the Northern Lights (“torches held in the hands of spirits”).

The tune “Discovery” captures the excitement of when explorers and scientists finally managed to travel all the way to the North and South Poles.  “Spirit of the Last Wilderness” was influenced by the fact that, Kerani states, “The Poles are basically the last mostly untouched places on our planet, and their Spirit asks us to keep them pure and unspoiled.”

The most dramatic and heart-wrenching piece on the album is the ten-and-a-half-minute epic “Far Away From Home,” a tribute to Captain Robert Falcon Scott and his British expedition team that perished in Antarctica in 1912 when they raced to be the first explorers to the South Pole, but arrived a month after Roald Amundsen’s Norwegian team.

“I wrote the track ‘Norway’ after a cruise to that country.  As we entered a fjord I was standing on the bow of the ship and I imagined what it must have been like in ancient times when the Vikings would return home in their dragonship hearing their wives on the shore humming a welcoming song.”

Kerani says, “‘Ice Kingdom’ is representative of any ice-covered landscape, but my imagination was mainly triggered by stories that my mother used to tell about her childhood in Hungary where the winters can be exceptionally harsh. She described how the villages were snowed in and the people were not able to go outside for days.  There is also something magical and mysterious about a cold, snow-covered landscape. The knowledge that the earth beneath that blanket of ice comes to life each spring is fascinating, almost miraculous.”

Kerani was born in Belgium to a Hungarian father and German mother, and Kerani currently lives in the south of The Netherlands near the Belgium border and the area where she grew up.  “As a child I listened to the great classical composers like Mozart, Liszt, Schumann and many others.”  Her family got an old piano when she was four.  “I was strangely drawn to that weathered old thing.  Slowly I taught myself to play and I discovered the magic of composing music.  The rise of electronic music in the late Seventies and Eighties was a revelation to me -- Jean-Michel Jarre, Vangelis, Kraftwerk, Electric Light Orchestra and Mike Oldfield.  These new sounds boosted my inspiration.  In 1986 I teamed up with a couple of studio musicians to record the instrumentals ‘Seagullsong’ and ‘Oblivion’ which I released as a single.  It got regional airplay and the B-Side became the theme song for the morning show on Radio 2 Flanders.”

She performed as the lead vocalist and keyboardist in the band Liaison in the city of Ternat where they mostly performed the popular music of that time.  Kerani moved to Italy for about three years where she taught English language courses (she speaks English, Dutch, French, Italian, Hungarian and German).  She wrote and published a book of children’s stories called Cherub (“it tells the story of a little angel who helps children”), and also re-orchestrated 15 children’s songs for an instruction DVD for disabled children.  In 2011 Kerani composed the soundtrack for the documentary film “Merlick 1967” commissioned by the Historical Society of the Roerstreek.  Kerani released her first album, Wings of Comfort, in 2011, and her second, The Journey, in 2012.  Both received positive reviews and strong airplay.  Recently Kerani sang backing vocals on two Asher Quinn albums, State of Grace and Heal Your Heart, and performed with him in concert.

A decade ago Kerani began broadening her spiritual journey.  “Without abandoning my Christian faith, over the years I have been expanding my spiritual horizon by reading books by Ute Kretzschmar, Drunvalo Melchizedek, James Redfield, Steve Rother, Deepak Chopra, H.H. the Dalai Lama and Paulo Coelho -- to name just a few.  These are people who managed to provide answers to my countless questions.

“It was not until my first meditations that I grasped the essence of spiritual life.  It is fascinating to experience that the core of life can be touched and the truth approached by communicating to the divine guide. All channels are open and it is always a two-way street.  To me, meditation simply means tuning in, finding balance and connecting emotionally and spiritually with the Source.  I already have a lot to be grateful for and each day comes with a lesson,” Kerani explains.

“I believe that now my compositions tell stories that speak to the heart simply because they are made from the heart.  Most of the time ideas come to me quite unexpectedly and once I have caught their essence, I try to maintain their purity by keeping the flow to and from Above constant and natural.  I have learned to never push, never force it, but to just listen with an open heart.”

Dr Scott Werner was born with the gift of higher dimensional sight, which means that when he “tunes in” to someone, he would not only see them in the physical level but also “see” them on multi dimensional levels.

Scott had two near death experiences when he was young. The first time was at the age of 13 and the other at the age of 20. Each time that he came back into consciousness, he returned with the inner knowing that his role in this life is to assist in the healing of humanity, and his “gifts” were enhanced to the degree that he intuitively sees into the physical body.

In 1986, at the age of 29, Scott was diagnosed with malignant melanoma, with multiple lesions on his spine and brain. Even though he was working at one of the best Medical facilities in the United States, his was given only 3 months to live. Unsatisfied with that prognosis, he went home and prayed for guidance.

In a dream that night he was told that he would heal his own cancer. And he did just that by using parasite cleanses, changing his diet and releasing emotional blockage in his life. He began studying herbs, and their healing properties. This started his extensive path into alternative healing methods. Using parasite cleanses, herbs, toning, nutritional support, and detoxing the body.

Scott used herbs, homeopathic and energetic remedies and Chelation therapy in the improvement of health and wellness in “un-treatable illnesses and dis-ease”. He relinquished his Medical license in Utah and Arizona and left traditional medicine in 2005 and opened an herb store in St. George Utah.

Scott truly believes that all dis-ease is a combination of too much toxicity and not enough nutrition in the body, coupled with emotions that deplete our health. He has a very spiritual understanding to the approach to wellness and has worked extensively with world class healer, Katherine Beck.

Scott has lectured extensively to private and professional groups throughout the United States educating them about multiple healing modalities, and herbal products. He is very gifted, incredibly insightful, informative, animated and entertaining. He has lectured on many health subjects ranging from Parasites to virus and from nutritional support to healing energy blockages. He has thousands of clients all over the world, who have sought him out for his knowledge of the healing process.

Elizabeth Carman, PhD, and Neil Carman, PhD are the authors of Cosmic Cradle: Spiritual Dimensions of Life before Birth. It's a compilation of incredible, natural, firsthand accounts, cross-cultural research, memories and experiences of pre-birth + inter-life realms and the study of human consciousness beyond our typical conscious awareness. The authors have been researching pre-birth communication and pre-birth memory for over 45 years, and they are passionate about sharing what they've learned with others. Cosmic Cradle, Spiritual Dimensions of Life before Birth sheds light on how the life of the Soul in a human body is only part of our experience in a multi-dimensional universe. Cosmic Cradle traces our journey from the heavenly world to birth via pre-birth experiences, memories and communications. Stories reveal how gifted individuals remember planning their journey to Earth and how Souls make contact with prospective parents. Cosmic Cradle is filled with wisdom gathered from interviews with gifted individuals as well as classical and traditional sources.