Claes Rosen is a Swedish music producer and artist recognized for his emotive, melody-rich approach to electronic music. With a career spanning over a decade, he has established a distinct sonic identity that seamlessly blends deep house, downtempo, soulful electronica, and cinematic textures. His productions are characterized by a refined sense of atmosphere, groove, and emotional depth—qualities that have made his music resonate with listeners across genres and borders.
Rosen is also one half of the influential dubstep duo L-Wiz, a project that played a formative role in shaping the early melodic bass movement. As part of L-Wiz, he helped pioneer a more expressive, ambient-forward style of dubstep, earning acclaim for pushing the genre’s creative boundaries.
Beyond the club and festival circuit, Claes has contributed music to film, television, and commercial media, demonstrating a versatile sound that adapts fluidly to different contexts while maintaining its emotional core. His work has been released on respected labels and featured in editorial playlists, radio rotations, and international sync campaigns.
Through both solo and collaborative work, Claes Rosen continues to be regarded as a producer with a signature sound—one that bridges electronic sophistication with heartfelt storytelling.
Song information
This is my cover of Marvin Gaye’s “If This World Were Mine.” This song has been close to my heart for years, and after a long journey of reimagining and clearing the rights, it’s finally released. I’ve done my best to honor the original while giving it a modern, emotional touch — something I hope resonates with both lifelong soul fans and a new generation of listeners. If your audience values heartfelt music with a timeless message, I’d be truly grateful if you gave it a listen.
Story of the song
This song has been with me for over a decade. It started as a remix idea that didn’t quite land, so I shelved it — until years later when I reopened the project and instantly felt its potential. But it contained copyrighted material, which made an official release impossible. Then in 2020, the world changed. The song’s message — about hope and imagining a better world — suddenly felt more relevant than ever. I knew I had to try again. What followed was a five-year journey of rights negotiations, setbacks, and re-recordings. I turned down early offers, believing the song deserved more. Along the way, I kept getting messages from people who had heard the unofficial version — telling me it helped them through grief, illness, and difficult times. That meant everything. In 2024, I reworked the track from the ground up, preserving its soul while clearing every legal hurdle. And now — after years of persistence — it’s finally here.
