Sound Healing, June 6, 2026
Sound Healing with David Gibson
Musical Intervals and The Music of Relationship:
David Gibson on Intervals, Harmony, and Dissonance
David Gibson Opens Sound Healing
In this episode of Sound Healing, host David Gibson opens with updates from the Sound Healing Center, Globe Institute, and upcoming programs, including open houses, summer intensives, online certificate training, recording classes, the Mount Shasta Sound Healing Retreat, and voice-analysis software training. He then introduces the central topic of the episode: musical intervals, or the relationship between two notes, as a model for understanding the relationship between every kind of thing in the universe.
Musical Intervals as States of Consciousness
David explains that musical intervals are not only musical structures, but also feelings or states of consciousness. He walks through several intervals, including unison, octaves, perfect fifths, perfect fourths, major thirds, major seconds, minor seconds, sixths, and sevenths. He describes unison and octaves as deeply harmonious, the perfect fifth as calming, sweet, healing, and movement-oriented, the perfect fourth as spacious and suspended, and more dissonant intervals as activating rather than inherently bad. His point is that each interval carries a specific emotional or energetic quality.
Ratios, Frequencies, and Sacred Geometry
David then connects musical intervals to mathematics. An octave is a two-to-one ratio, a perfect fifth is three-to-two, a perfect fourth is four-to-three, a major third is five-to-four, and a minor third is six-to-five. He explains that these ratios can also appear in sacred geometry, such as the relationship between the lengths of sides in a triangle. For David, this means intervals are not just sounds; they are measurable relationships that can appear in space, form, vibration, and proportion.
Timbre, Harmonics, and Sound Healing Instruments
David distinguishes between musical intervals created by two separate notes and the hidden intervals inside a single sound. When a person sings one note, or when an instrument such as a gong, harp, Tibetan bowl, or piano produces a sound, that single sound contains many frequencies and harmonic relationships. He explains that activating instruments such as gongs, bagpipes, saxophones, and clarinets may contain more dissonant internal relationships, while instruments such as harp, acoustic guitar, and wood drum can contain warmer, sweeter relationships. This helps explain why different instruments affect the body and emotions differently.
Intervals in Nature, Color, Geometry, and the Planets
The episode expands from music into nature and cosmology. David says atoms, molecules, elements, colors, geometries, planets, moons, and orbital relationships can all be understood through interval-like relationships. He gives examples such as hydrogen and oxygen forming water, colors that harmonize or clash, and planetary relationships connected to the ancient idea of the music of the spheres. He also discusses Jupiter’s moons and the Earth-Sun relationship as examples of cosmic ratios and vibrational relationships.
The Body as a Harmonic Structure
David applies the same idea to the human body, saying every cell, organ, and medical system has frequencies and relationships. He suggests that health may be understood as harmonious interval relationships among the parts of the body, while illness may involve disrupted or dissonant relationships. He speculates that if researchers could identify the musical-interval “template of perfection” among cells, organs, and body systems, sound could potentially be used to support healing across many conditions.
Emotions, Thoughts, Souls, and Relationships
David also applies musical intervals to inner life. He describes emotional conflicts, such as loving and hating someone at the same time, as dissonant relationships. Positive emotions such as gratitude, compassion, love, and joy are described as more coherent frequencies that can move together in harmonious ways. He extends this to thoughts, soul relationships, twin flames, soul groups, and romantic or personal chemistry, suggesting that people may experience each other as harmonious or dissonant based on deeper frequency relationships.
Musical Intervals Across Every Subject
Near the end, David explains that the Sound Education Association is building curriculum for children that brings frequency, musical flow, and interval relationships into subjects such as math, physics, chemistry, biology, psychology, communication, social science, history, economics, environmental science, art, engineering, computer science, physical education, ethics, philosophy, and medicine. His larger vision is that every subject can be understood as a study of relationships, and every relationship can be experienced as a kind of musical interval.
Moving Toward Harmony While Honoring Dissonance
David closes by playing part of his song “Awakening,” which he says is built largely around the musical fifth. He encourages listeners to notice harmony and dissonance in their lives, but not to judge dissonance as bad. Just as water hitting rocks or waves crashing into shore can create beautiful turbulence, dissonance can activate movement and help break up stuck energy. The final message is to move toward harmony whenever possible while recognizing that all relationships, even challenging ones, can serve a purpose in the larger music of life.
Sound Healing
Study the effects of sound on the body, psyche & spirit LIVE with the Founder and Director of Globe Sound Healing Institute. Using the Voice for Sound Healing, Inner Sound Awareness & Transformation of matter and consciousness, and to connect to Spirit.
The radio shows on this site will explore the full range of techniques and technologies used in the field of Sound Healing. Although the field is commonly called Sound Healing, it is also about maintaining health, raising consciousness and connecting to spirit. The show is a sound combination of discussion and experience including the following topics: Toning, Chanting and Overtone Singing - Root Frequency Entrainment - Sound to Improve Learning -Disabilities - Using Sound to Connect to Spirit - Tuning Fork Treatments - Voice Analysis Technologies - Chakra Balancing - Sound to Induce Desired States of Being - Tibetan/Crystal Bowl Massage - Electronic Nerve Stimulation - Water Sound Infusion Systems - Sound Visualization systems - Infratonics Holographic Sound - Scalar wave EESystem Drumming and Rhythm - HydroAcoustic Therapy - Neurophone Bio-Tuning - Sound Surgery - Cymatics Frequency based therapeutic devices - VibroAcoustic Sound Chairs and Tables
At the Sound Healing Center we have four main things going on.
The Institute, the Sound Healing Store, the Sound Therapy Center, and the Sound Healing
Research Foundation.
At Globe Institute we offer two Sound Healing Certificates and one audio recording certificate.
All of them are also offered online as well as in person here in Sausoleito outside of
San Francisco.
We're the only state approved college in the entire United States that offers Sound Healing.
David has created the number one selling books in the field of audio recording and
Sound Healing.
In recording there's the art of mixing and the art of producing and in Sound Healing,
the complete guide to Sound Healing.
He's also written a book on Sound Loving Relationships.
Creating harmony and loving relationships including many Sound Healing techniques is
all about being whole on your own heart open.
The Sound Healing Store has over 400 Sound Healing instruments and technologies.
We also have a physical store where you can experience everything.
In the store we've got over 100 CDs and downloads.
We've got all of my books.
We have a full range of instruments including crystal bowls, Tibetan bowls, digital reduce
gongs, drums, rattles, tuning forks, and a full range of melodic instruments.
We also have a wide range of consciousness raising technologies including sound chambers.
We have sacred geometries and pendants, cover and light therapies.
We also have our brainwave assessment kit software and the voice analysis software.
We got a contract with the largest dementia company in Northern California and we've
created eight different protocols that have been implemented there for the last two years
and it's transformed the place dramatically.
Check it out at soundfordementia.com and we've got a full range of vibroacoustic
tools.
We make sound lounges, sound tables, sound vests, sound pillows, sound dolphins, and
bass straps.
All of these are excellent for a wide range of physical and emotional issues and just
getting you relaxed and blissed out.
At the Sound Healing Research Foundation you can find over 1,000 clinical and student
papers categorized for easy searching.
You also find the Medical Sound Association with over 1,000 doctors and sound therapists
meeting bimonthly to create treatment plans for a wide range of issues.
These 30-page treatment plans are an excellent resource if you're working on a specific
issue for yourself or a client.
Check out medicalsoundassociation.com where you can also join and attend our bimonthly
meetings.
At the Sound Therapy Center we have a list of over 40 issues and all the things that
we offer for each issue.
These include music and frequency CDs or downloads, treatment plans from the Medical
Sound Association, and treatments we offer in person and online in the Sound Therapy Center
for each specific issue.
Finally, we have the Sound Education Association.
We got a grant for $100,000 to bring our curriculum into two Montessori schools with over 100
teachers and administrators.
We've created over 2,500 exercises for kids from 3 months up to 18 years, all based on
the books on brain development.
We're now expanding the curriculum and creating schools around the world.
Check out SoundEducationAssociation.com where you can also join for free.
You can find everything at SoundHealingCenter.com.
You can also email us at DavidatSoundHealingCenter.com or call 415-777-2486.
Now enjoy the podcast.
Hi there.
I'm David Gibson.
Welcome, welcome.
Let me tell you about some things that are happening here at the Institute.
First we have another open house on Sunday, June 28th from 1 to 5 p.m.
It's all about how sound works physically, mentally, emotionally, and spiritually.
We also put everybody on the sound tables so everybody gets blissed out and you learn
how it all works.
Then we have our summer intensive starting this Tuesday here in Sausoleto.
It's June 9th to the 1910-930 every day.
It's half of our certificate program and we've got about four instructors teaching
and it's profound.
It will change your life forever and you'll learn how to actually do sound healing, do
treatments, how the whole universe works based on vibration and how to get to place a piece
over and over and how to do this as a career.
We also have the whole program online starting June 25th as the next start time and it works
really well.
We also have a program starting September 8th in person as well.
The in person part is half and half online, half in person so you can start that online
part anytime.
We also have tons of individual classes.
You don't have to do the whole program so you can check that out if you go to soundhealingcenter.com
slash events.
Then we have our recording program which you could still jump in.
The next one's not until October.
You could also watch videos.
It's all about recording, mixing and producing.
Then we also have our Mount Shasta Sound Healing Retreat August 1st and 2nd.
We're at the Crystal Tone Shop and then the second day we go up on the mountain and bliss
out with the Lemurians up there and other beings.
Then we've got the Voice Analysis software training.
If you buy it by around July 10th you can take the training on July 12th.
It's all about using the voice to assess exactly what's going on with you as well.
So again you can find everything at soundhealingcenter.com.
So today we're going to be talking about musical intervals as the structure of the relationship
of every single thing in the universe.
Let me say that again.
We're going over musical intervals, the relationship between two notes as the relationship of every
single thing in the universe.
That's right.
And it really is.
The relationships of two notes is a feeling or a state of consciousness.
So you can view the whole universe as states of consciousness in the relationship of things.
So let me first show you the different musical intervals.
I'm just going to go over them briefly because I'm sure there's a lot of you that know I'm
in detail.
So we're not going to spend a lot of time on it.
But here are the musical intervals from my book.
So the first one is when you have two of the same thing.
Two of the same note.
Let me pull up my virtual piano and actually play this.
So as you got two of the same note at the same time.
Which is really, really harmonious.
Then we've got the octave which is double the frequency or half the frequency.
It's the same note.
So you have many octaves on a keyboard.
So this is a C, an octave higher which is double the frequency, an octave higher, double
the frequency again, double the frequency.
And those are very harmonious.
That's like perfect harmony for the octaves.
Then we have the musical fifth.
The musical fifth is really in music is the most calming and sweet musical interval there
is.
Unison and octaves are very cool but they don't really go anywhere.
They just hang out.
You just hang out there and they're kind of cool and sweet and beautiful.
Whereas a musical fifth is a beautiful ratio.
It sounds really sweet.
And it also leads you back to home.
So when you play the high note, the fifth, I'm sorry, mess it.
When you play the musical fifth, it's like you don't want to stay there.
It's like there's a little inertia that makes you want to go back home.
Also I found the musical fifth is really good for the breath.
And breath and out breath.
You can see what they say as far as the different feelings.
You can just feel it yourself.
But here's the different information for these intervals.
So the unison is the sameness.
It's complete harmony with the fundamental sound, represents serenity and perfect peace.
The octave is restful, grounding, meditative, calming.
And it's called the yin and yang interval.
It's the male and the higher note being the female or feminine.
And then the perfect fifth is healing while stimulating power and movement.
It's evokes feelings of opening, home, steadiness, completeness, joy and healing.
And then we have the perfect fourth.
The perfect fourth is really interesting because it doesn't really have much inertia
to come back home.
I remember talking to Stephen Halpern and he says he uses the musical fourth a lot because
it generally leaves you just floating without that urgency, zero urgency to have to come
home.
So here's the musical fourth.
You can go just kind of float there and not really have to go anywhere.
And if you come home it's cool.
So the musical fourth is often referred to as suspended.
It's airy and evokes feelings of serenity, clarity, openness and light.
It's also like an ancient trumpet alarm.
The major third is an interval considered of possessed great sweetness.
And it's the main interval that kids sing.
When they're their kids, it's like the first interval that kids commonly come up with.
If the hair says that they're...
Then there's the major second.
Now the major second is a little unstable.
It's supposed to be resolved.
It's got some inertia.
It's rousing, wakening, hopeful.
Sometimes they say it's actually dissonant.
You play the same time.
It sounds a little dissonant.
But some people see dissonance as just a binaural beat rhythm.
If you play those two, they're right next to a city you'll hear a rhythm.
Or some people just see it as activating and moving energy.
Then there's all...
I'm not going to go through all of these, but here's the minor second, which is really
dissonant.
Then there's the...
Oh, there's a couple others I should show you.
Let's see.
Then the major sixth.
Dreamy and full of possibility.
Sad, sorrowful and weeping.
Here we go.
There's the major sixth.
And then there's the minor sixth, which is the closest to the golden mean ratio.
And it's also used in love songs as well.
Oh, I forgot to mention the minor third, especially going down, is commonly used in
form of love songs.
It's very common in love songs.
So if you're going down like this...
It's a little sad.
A little sad.
Oh, there's one other one to show you, which is the seventh.
It really has a lot of inertia.
You don't want to hang out there.
It's not resolved at all.
It's like you want to go somewhere, especially once you go to the octave.
Ta-da.
Right.
So it's got a lot of movement in it.
It's got a lot of inertia.
So anytime you can play these one at a time, one note after the other, that is, where you
can play them both at the same time, you get the actual intervals that way.
So each one of these, especially when you play them at the same time, are going to be
a certain feeling.
And they range from completely sweet and harmonious to completely dissonant.
So you can see everything in the universe as the relationship of two things as either
really harmonious or really dissonant.
They get along or they don't get along.
So there's so many different aspects in nature that actually have multiple things in
them.
Now when you look at these musical intervals, they precisely translate to ratios, mathematical
ratios.
I'll just show you a few of them.
Actually they were on that previous document.
But here are the main ones.
The octave is two to one.
So if you have a frequency, whatever frequency you have, you double it, you get the octave.
So 100 hertz would be the octave.
Perfect fifth is three to two, 1.5.
So you take 100 hertz, it would be 150 hertz, would be the musical fifth.
And then the perfect fourth is four to three, five to four, for the major third and minor
third is six to five.
So there are mathematical ratios.
So the intervals already translate to math really well.
And just recently I just did a whole thing on showing the actual musical intervals in
sacred geometry.
So if you have a triangle where one side is three lengths and another side is two lengths,
that's the musical fifth.
So that actual distance ratio is exactly the musical fifth.
So we can look at ratios of any two lengths of anything as an actual musical interval.
Now I talk about, and we've talked about this many times in the show, the hierarchy of vibration,
that everything in the universe is made up of music at all levels of reality.
But music is made up of four different levels.
And I call it the hierarchy of vibration.
It was really the hierarchy of music in all vibration.
So the first level is pure frequencies.
A bunch of frequencies creates a timbre or a sound or a tonality, which is simply a bunch
of musical intervals.
But then the third level is when you have musical intervals in music, like I was just
playing, where you got one note compared to another note.
And the fourth level is changing musical intervals over time, changing notes and intervals over
time, which is music.
And also you get rhythm and melody in that as well.
So this, what we're talking about today mostly is musical intervals part, the part with no
time without actual, we're not talking melody or music, we can get into that, but
we're not going to get into that today because that's a whole another level of changing
melody or changing musical intervals over time.
Now I want to make the distinction though because there's two realms of musical intervals
that we work with in the world or that God created, I could say.
The first is the harmonic structure.
Remember I said the frequency, a timbre is a bunch of frequencies.
Well if I sing one note, I'm singing over 100 different notes at once, 100 different
frequencies.
And every one of those 100 frequencies in that one sound are musical interval relationships
to each other.
So there's 100 musical intervals in this one sound.
It's really mind boggling.
If you play a gong, there's a thousand musical intervals in that one sound.
There's so many different frequencies in the gong.
So it's like we're talking sounds which are made up of a bunch of frequencies which are
musical intervals.
One sound.
We're not talking when you play, you know, if I just go or hit one note on a gong or
any instrument, it's a harmonic structure.
It's a musical interval party.
It's got 100 musical intervals in it which is 100 states of consciousness.
So any instrument, if you hit a Tibetan bowl, it's got a certain conglomeration of musical
intervals in it that create its sound.
And every sound has a combination of frequencies except pure tones which are like tuning forks.
So what's interesting is the sounds that are more activating like gongs and bagpipes
and saxophone and clarinet, things that are a little edgy, those have a dissonant chord
in the actual musical intervals within the sound like the minor second which is played,
right?
It's a little dissonant which makes it activating and really good for clearing energy whereas
a harp has a beautiful musical interval relationship within the harmonics that make up that one
sound of one pluck on the harp.
So now you've got a beautiful chord, right, that actually creates a beautiful musical
interval relationship that creates a sweet harp pluck which also is somewhere in acoustic
guitar and a wood drum where you actually play the wood.
So really warm sound.
So that's the realm of musical intervals in sounds.
Let's talk more about the relationship of two things which is the relationship of two
sounds that have their own musical intervals within them which is really what we just did
on the piano here, right?
So if you've got, if I play the sound here, well technically that's like 30 different
musical intervals right there that make up that one piano sound and then here's another
30 different musical intervals that make up that sound but we're now talking at this
level the relationship of two timbers which are a combination of frequencies.
So one note to another which is the way we normally think of musical intervals which
okay so now let's look at all the different things out there that have relationship between
two frequencies.
Everything in the universe is a vibration.
Everything in the universe has a frequency, its frequency that it prefers to vibrate at.
So everything has a musical interval relationship when you have two things.
So first we can look at nature.
You've got the frequencies of the elements but when you have multiple elements you get
or frequencies of the elements or of the atom when you have multiple atoms you actually
get a molecule.
So H2O is two harmonics of hydrogen and one of oxygen and hydrogen and oxygen have a
very specific musical interval relationship that creates that water so that's the frequencies
within it but then there's also the relationship of all of the elements to each other so you
could look at the relationship of water to fire, water to air, water to earth, all the
relationships of all the elements to each other create a musical interval and in Chinese
medicine it's a big deal to actually have a balance of all of those musical interval
relationships.
So it totally maps out into the actual elements that we all know but it's also in color.
You've got the relationship between two colors can be very beautiful, harmonious, like a
musical fifth or even an octave or they can actually be very dissonant like a red
and green.
They don't really go together so well.
They're kind of fun for Halloween but they don't really go to not like a purple and a
teal.
They go to get or even a red and orange or even more harmonious.
So you can look at and people that do artwork are really into this the way colors work together
or not which can create more dissonance or more harmony in the actual painting.
So colors totally follow this.
It's also again the same thing in geometry not only the relationships of the sides of
the geometry but also the relationship of one geometry to another geometry.
They've got a musical overall frequency and a musical interval relationship between those
overall frequencies and all the parts.
So it gets very complex when you start looking at two geometries.
You can also look at it in the quantum field which is mostly intention, thought forms and
also your soul.
So you could look at the frequency of two intentions for example.
You can have an intention of love which has a very specific frequency and energy and the
frequency of wisdom.
And when you put love and wisdom together and hold the intention of two things at once.
Love wisdom energetically two things at once.
Then you've got a musical interval relationship between those two that creates a certain state
of consciousness based on that musical interval relationship which are the feelings which
just went through earlier.
States of consciousness are just feelings if you look at it that way.
But then it gets really detailed when you look at the planets.
Oh my God.
The planets have a full range.
It was actually Kepler and Pythagoras that actually came up with this whole thing about
the music of the spheres which is actually looking at the musical relationships between
the planets.
Now Kepler actually came up with this whole thing where he looked at the orbital velocity
between two different planets and he found that they actually have minor thirds in the
relationship of the orbits, the speed of the orbits to each other.
There's a minor third, a major third and a perfect fifth between various planets.
So he saw the whole solar system as a relationship.
You could also look at it this way, the orbital resonances.
So Jupiter's moon has the orbits of Io, Europa and Ganymede.
The Io does four orbits in relation to the Europa doing two orbits in the same time and
Ganymede does one orbit.
So that's a four to two to one relationship which is all octaves.
So it's like perfect harmony.
Those three moons around Jupiter are in perfect octave relationships.
But you can also look at the actual spin of planets and they actually have very specific
musical and actual relationships between them.
Some of them are a little weird, some are really cool, very cool.
Let me show you the Earth and the Sun relationship.
So actually these are the Earth and the Sun not spinning but the relationship of them going
around the Sun.
So the orbital relationship, check this out.
So here we've got the frequency of the Sun is 126.22.
Oh God, don't ask me how they got that frequency.
Okay, I'll tell you.
So they actually take the actual spinning of the Sun, they put one over it which is a
really big number and then they octaveize it up.
Same with Earth.
The number of seconds it takes for the Earth to go around the Sun.
So it's going around instead of spinning and they put one over that, millions of seconds
and octaveize it up.
That's the way they do it.
And so the relationship between the Sun and the Earth is 126.22 and 136.102.
Those if we look at our frequency chart, okay, we've got 126.22.
Okay, here we go.
It's closest to a B and 136 which is a DC sharp.
So a B and a C sharp.
Oh my God, you want to hear that?
Yes we do.
Okay, so here's a B and here's a C sharp.
So that's the ratio between the Sun and the Earth in an interesting way.
That's really cool too.
So we can also actually play both of those at the same time.
There's an actual, I'm going to have one in the left here, one in the right here.
If you have headphones, this will sound really cool.
Check this out.
That's really interesting.
The relationship between the Sun and the Earth in rhythms.
Rhythms are also musical and rural relationships.
If you have a rhythm that's like one beat per second and you double it, that's two beats
per second, that's an octave.
If you do one and a half beats per second, that's a musical fifth.
So rhythms still have musical intervals in them in the relationship between them as well.
So there's this whole realm of musical intervals relationships in between the planets and probably
between solar systems and galaxies and everything I would imagine.
You can also look at the golden mean as a musical interval relationship, which we did
few months ago.
It is an unusual musical interval, but it still is the relationship of the parts of the golden
mean and Fibonacci.
Okay.
So the coolest thing about musical intervals though is how it manifests in the body.
If you look at every frequency of every cell and measure it, which can be done, you can
actually measure it with a light or electron microscope, electron microscope, you do in
vitro outside the body of light microscope, you can do in the body.
And then you can actually look at the musical interval relationships of all of the cells,
especially cool to look at the musical interval relationships within one of the 11 medical
systems, which are circulatory, respiratory, nervous system, endocrine system, all the
different systems that doctors work with.
So now we believe very clearly, I would bet on this one, I would bet that the musical
interval relationships of all of the parts of the body, especially within one system
are very harmonious.
We know this is like the only thing we know for sure about the body.
It's in complete harmony.
Everything's working together in complete harmony.
It's not like it's going, it's not like these dissertors.
Maybe your digestive fluids are going, right?
But the rest of the body, the relationship of all the parts is in beautiful working harmony.
So everything's flowing.
It's really harmonious.
So we're looking at finding the musical interval template of perfection between all cells in
the body, all 70 trillion, all 70 trillion, right?
And then since everybody's frequencies of the parts of the body are a little different,
that's why nobody ever agrees on anything for any frequency for anything in the body.
But the relationships of the parts of the body are the same, we believe, for each person.
We all kind of look like people, so we all have that same template.
You could even say the overall frequency of the heart is a musical interval relationship
to the overall frequency of the liver.
So you can look at the cellular level of the relationships or you can look at the organ
relationships.
So physically, we are a harmonic structure.
We are a combination of musical intervals in very detail.
And if we find those musical intervals and play them to the body, I bet.
I bet, I bet, I bet.
We could actually heal every disease there is.
At least that's what my guides say.
I'm like, really?
Yes.
Yes.
Yes.
Okay.
Cool.
Now you can also look at it emotionally.
I mean, we commonly have conflicts in our emotions.
Probably the most basic is when you have a breakup.
It's like, oh, I hate you.
Oh, but I love you at the same time.
I hate you.
I love you.
Right?
So there's this dissonance and harmony at the same time, which is the musical interval
relationship.
And that can be really dissonant and cause really a lot of problems.
But often we also have a musical interval relationships within our emotions that are
very sweet.
We have love and peace, love and wisdom, for example.
There's many musical and we might shift from one harmonious interval to another or one
harmonious frequency of a emotion to another between those musical intervals.
Or what's really cool is to actually do the jump from a chaotic frequency of like anger
or despair or fear to move it up to a harmonious frequency of a stable consistent frequency
of love or gratitude or compassion.
Right?
What's interesting is there's another component.
They'll throw in here a little detour.
There's another component where you have frequencies that aren't humming consistently, like fears
like, ah, right?
It's like a chaotic vibration.
So it doesn't create a very good musical interval with love because love is doesn't create an
interval at all because it's not really a frequency.
It's a chaotic vibration.
And so you've got love and then fear together and it's not really a clear musical interval
relationship.
It's not until you get to the coherent frequencies of compassion and gratitude and love and all
the positive emotions that their stable consistent frequencies that work with other musical intervals.
So you know, maybe you're doing this little song where you're going from one interval
to another.
You're going on a roller coaster of gratitude to compassion to love to joy.
And those are all beautiful musical interval relationships between each other.
Right?
It's nice when you don't have conflicts in your emotions, but we also have conflicts
in our thoughts where we get to dead ends and we don't know where to go or we have stress
in our thought.
Oh, what am I going to do?
Right?
I'm not going to do the chaos, but then when you have focus, that is harmony, especially
when you have clear thoughts and you don't lose track from one thought to another.
So there's a very specific progression of melodic from one and through one interval to
another to one thought to another, whereas commonly, I know I do.
I mean, we get lost.
I know sometimes I'm like, what was I thinking?
Where was I five minutes ago?
I don't even remember what I was thinking five minutes ago.
Whereas when you get to that state of higher consciousness where you're present with every
moment and every past thought with the future of thoughts, where you're aware of all of
it at once, you never lose track.
Hopefully one day for all of us.
Right?
Then you are totally seeing all the musical interval relationships between all the thoughts
and hopefully the harmonious.
There's even at the spiritual level, you could again, you could look at that as gratitude,
compassion, love, but when you look at the frequency of souls, they say twin flames are
when you have a soul to split.
And so that would be the same frequency, same in unison.
It's a unison musical interval relationship.
Or if you have a soul relationship or a soul brother or soul, it's like the area in perfect
harmony.
I've also found that it's interesting when people are the same home note, which is mostly
the physical body, there's instant chemistry.
And when someone's a nice musical interval relationship, oh, I had a wonderful relationship
with an F, which is a complete musical fifth to my note.
So to have a nice musical interval relationship versus a dissonant one in a relationship with
somebody is very cool.
This gets really complex because you could actually look at the musical relationship
between the physical body parts and the emotions.
You can look at the relationship between the mental body and the emotion, the thoughts
and the emotion.
You can look at the relationship between the spiritual realm of gratitude, compassion,
love, or your soul in relationship to the physical mental emotion, which are musical
interval relationships.
Holy moly, right?
We're just like one big tambour, one big musical interval relationship.
And the whole universe is that way.
The whole universe.
Everything is in relationship to everything else based on musical intervals, either harmonious
or a little dissonant.
But from the higher perspective, there's no dissonance.
It's just perfect.
You could say it's just activating energy that helps us move.
Deconance is really good to create movement and get us out of sickness.
So if you see it that way, it's not bad because some people think, oh, bad chord.
No, it's beautiful for actually getting us to do movement and get out of being stuck.
It can also be really good for stuck energy in the body.
Actually, break up stuck energy.
Disident musical intervals are really good for breaking up stuck energy.
That's why all the dissonant intervals within a gong are so good for breaking up stuck energy.
Okay, so these are the multiple levels.
But check this out.
Let's take it to a whole nother level now.
So what we're doing is we're doing a whole program.
Oh, there's a whale out there in the ocean in front of me.
Oh my God.
The musical interval relationship between a human and a whale.
Oh my God.
Okay.
So we're doing a whole program for the kids and we're actually introducing this musical
interval relationships and frequencies and musical flow into every subject matter, whether
it's math or physics or chemistry or biology, every subject matter.
So every subject matter, you can see musical interval relationships within it.
And then it makes it more coherent because now the whole universe is basically music,
right, which has these musical interval relationships.
Let me explain.
I'll go ahead and show you here.
This is really interesting.
And this is going to be part of our curriculum for the kids that we're creating.
So if you look at mathematics, musical intervals are simply ratios, one number to another number,
proportions or fractions.
And they correspond directly in math.
In physics, you can also think of musical, it's harmony or not harmony.
It's a resonance between frequencies.
Everything is vibration.
So it's the harm, whether they resonate or their dissonant relationship.
And there's also constructive and destructive interference where two frequencies overlap
and create the add together or they break down.
It's really directly connects to wave mechanics.
In chemistry, you can look at molecular chords, the bonds between two atoms, the harmony
of atomic relationships, which is total harmony often or not, where they don't stick together.
Biology, it's a relationship between organs and systems.
So all the organs and the body and relationship to all the other organs like we're talking
about, it's an orchestration of living systems.
In psychology, it's relationship between thoughts and feelings.
Communication, it's an understanding between two people, or not, little dissonant, like
little conflict, social science.
It's healthy relationship between people.
Society becomes a large musical ensemble.
It's really about groups of people, the musical, and the relationships of groups of
people and those relationships.
It can be individual, but also groups.
History, alliances, and cultural change.
That's also groups that actually create and change history over time, which is a musical
flow.
Then economics, balanced exchange, an equal value for each thing being exchanged in economics.
That's a harmonic musical interval relationship, or where it's dissonant where one is taking
more than the other.
Environmental science, science, relationships between species.
Art, relationship between shapes and colors, and the engineering, the parts working together.
It's interesting to think of every part of your car is in musical interval relationship
with every other part of the car.
For anything, even a building, every part is a musical interval relationship to every
other part in anything that is built.
In computer science, it's integration between systems, the relationship of systems within,
I mean, you can also look at it as digital zeros and ones, the relationships of the zeros
and ones.
Physical education, it's the coordination between the muscles or between teammates.
In ethics, it's the right relationship with others, or not.
Philosophy, relationship between ideas.
Oh my God, they go off the deep end and philosophy of the relationship of all these unusual different
ideas that you don't normally get put together.
Then, as we talked about in Medicine Health, it's coordination between cells, organs, and
parts.
By the way, also, you can even look at the musical interval relationships of the parts
of the cell.
You can even look at the musical interval relationships between a neutron and electron.
They've all got different frequencies, and not to mention all the relationships of the
elements, which some people have actually figured out, all the different elements besides earth,
fair and water, all the different elements in chemistry.
Every relationship of any two things in the universe, two crystals, two plants, two people,
two souls, two planets are musical interval relationships that are either beautiful or
dissonant.
You can see the whole universe in this way, our instructor Randy Masters.
This is the way he sees the universe.
Because now you can take the relationship of anything in the universe and bring it into
your body and feel it as a chord, the relationship between two sounds or more than two sounds.
What I've done is I've found that the musical fifth is the most beautiful musical interval
relationship there is for music.
It's really there's nothing sweeter.
What I did in my song Awakening is I used mostly the musical fifth.
I want to end with that and have you check it out and enjoy how harmonious this is.
This is tuned to me to my B flat, but the notes that I'm using in there mostly it's
a drone so it's the home note of B flat, then it goes up to the musical fifth of the B flat.
A lot.
So notice the harmony in this.
Let me share my sound only.
Okay.
Okay.
Enjoy this.
Fast forward.
Okay, here we go.
Enjoy.
Okay.
So look at everything in your world.
And notice whether there's harmony or dissonance.
But know that the dissonance is perfect and beautiful.
It's like when the water hits a rock in the river.
It creates a little dissonance, a little sound.
All right.
That's beautiful.
When the ocean wave crashes over a lot of dissonance there and that sound and it's beautiful.
Right.
So you see the whole world as the relationship of what it is.
Move towards harmony whenever you can.
But let it be what it is.
It's all perfect.
Hold that energy the rest of the evening, weeks ahead, months ahead, years ahead,
and lifetimes.
Relationship between different lifetimes is a musical interval.
Thanks for listening.
Take care.
Bye.







