NOTE: (automatic text, it is not 100 percent, contains music which affects transcript accuracy)

This is Bringing the Darkness to the Light with Katherine Nadal, professional psychic
media.
Today's guest is Glaucco Ginard.
He is the singer-songwriter of the band Relentless Gods.
It's a pleasure to have you on.
Thanks for having me, Katherine.
No, it is a pleasure.
The two of us met on the Internet, actually, through Instagram.
I've been learning so much about you.
It's so intriguing.
I understand that you're currently living in Spain, but that you grew up in Brazil.
Tell me what it was like growing up in Brazil, because you weren't just a musician.
You were also a sportsman.
That's right.
I started my life and I was born in Rio de Janeiro.
Here I am now.
My name is Marlorquez Spain.
It's a beautiful island.
You can't imagine how wide with no waves.
Every people here in Europe comes with one hour to have flights and come here.
Many, many people during the whole year, not only summer.
I started my life in Rio with a born-day era.
I visited this island in 77 when it was a child.
I have five years old.
My first time was that time.
Almost 20 years ago, this next August, I'll be 20 years here in Spain.
But 80 years ago, I met my wife in Rio.
She's a doctor.
Very cool.
I have songs to her.
I will play something at this moment to explain about it.
She supports me very much and knows every lyric and all the things about my writing, my
songwriting stuff.
I was born in Rio starting playing football.
I love football.
Soccer in your country, they used to say soccer.
I was playing by private clubs and even in both a program, Flamingo Training, just training
until 17, finished the high school and playing in pubs and things like that.
So it's interesting because I know that you started out as a guitarist.
Did you only use that as an instrument or did you do more than one instrument growing
up?
Yeah, the important thing in music to me, I think it's a minimization, most of the
musicians too, is the rhythm.
With no rhythm, there's no groove.
With no groove, you can't feel the beat and the magical stuff, you know, that moving.
My right hand goes with samba and bossa nova technique.
I had to pick many times like that.
I don't ask to my brain because my brain hides this by himself, you know, so I just accept
this and start to play like that, but into the rock stuff, influence.
So I have this influence, Brazilian influence there.
I am big C every time, you know, and that's it.
So I think it's the different characteristics on my playing, but I used to say I'm song
writer, I'm not a shred guy, you know, I'm a slow finger.
I love guitar players like Mark North with Eric Lepton and many others, you know, masters
as well.
Well, it's so interesting because I was reading in here bio that you were trained by a certain
group in guitar, like a special method of guitar.
Can you explain what that guitar is to the audience?
Yeah, what happens at the same time I talk about a group and things like that.
I was studying theory about music when I was young, when I'm my teenager, and then you
choose some instrument into the school, the Villalobos School in downtown in Rio.
So I choose drums.
I love drums and my first instrument was drums, no more.
I used to sing and play drums at the same time with my brother, with a band called
Gene Arren, my cousin.
So we are a power trio, you know, I'm playing and singing.
But at the same time, it's important to a singer or a drummer know something about piano,
harmonic instruments or guitar, six-string guitar.
So it's very important to a drummer or to a singer because he knows about harmony and
things like that, how runs music really, you know.
So I studied drums with a bit of a play from theatre, a municipal theatre, I can remember
except the words are my English.
And the classical guitar is a nylon guitar with strings not like American guitars, as
nylon guitars.
They used to say in Spain and Brazil classical guitars, you know, so strings like the remember
crossroads by half-maki and the C-Vai, you know, the movie.
When he studied classical guitars, then he used the acoustic guitar with metal strings
and always bronze strings.
That's the difference.
He said the same instrument, but totally different playing in the approach in that instrument.
Sorry.
No, I think it's great.
How did you feel being so young and learning?
Do you feel I came naturally or are sometimes people struggle?
Good question.
I forget about it.
For my wife, we have this information.
The brother of my father, my uncle, was not professional, but he appears sometimes in
television, not the radio tube in the 50s or maybe 60s.
He used to play Boston or my grandfather plays ballero in Spain.
It's so famous, ballero.
So every family's body, he brings the guitar and starts to play ballero.
And his son, brother of my father, was playing Bosanova.
So I think you grow up and listen to this man's side, you play and you kept this.
Wow, yes.
It sounds like you come from musical roots.
Your family is musical.
So the influence of having them around you probably helped you on that path.
That's great.
There was something else in your bio that I had seen that you were involved in Broadway
shows, maybe great and Miss Amadleis.
It's not my fault.
It's not my fault.
How did that come about?
Yeah.
I had a girlfriend that time in Brazil, they brought kind of a brother, kind of a tube.
Sorry, I forgot the words, but it's okay.
I'm talking about rains, supposed to do roger rains.
And the other one is Les Misérables, which jump out of the shower.
So I want to ask another one, dance on stage.
So one day I explain what I do, the dance part.
And then now you have to interpretational, like doing sex with a woman on you alone.
It was in the theater in Copacabana, Rio de Janeiro.
I can't remember this.
It's impressive.
It was a different idea.
So they take me to some part, I think, about the second text, to some part just because
of this.
I think like roger, my girlfriend that time, by the book of the rains.
And I studied that and how roger, the original actor, roger makes the text at all.
Wow, it sounds exciting.
So were you selected for that position on the play?
I don't know exactly the position, the observer after this thing, but I make one test in Rio
and another test in Sao Paulo.
Then, months ago, the same year, I remember my brother's working music.
Besides Vivo Rio, when I met D'Nishihan for the very first time in person, was a 24.
But the same place my brother was working 20 years there.
And he received U2 in that place because he is one of the boss of organization organizing
things there.
And he was a young man, a young man, a young man, a young man, a young man.
So that time my brother didn't come with me in the text.
It was when you sleep kind of 5 AM, it was a Saturday.
So Fridays in Brazil is a big party.
Every week, it's a big party.
In Rio de Janeiro, even better.
And that time my dear friend, hey, on your straight, but man, wake up, wake up.
Why, why, why?
No, no, you have a test.
Let me say I have a test.
So let's go.
So I came to a barrio beside our house there.
And when the maestro and the piano started to do things like vocalies, you know,
should we do that, baby, little, little, little, baby, amen.
Wait, wait, wait.
I just wake up.
I'm here just because I hear.
You know, so give me a break, man.
So I give to him kind of still have a far more looking for about YouTube.
And then I even have time to prepare something, you know.
So I played this song at the on guitar, I bring my office guitar there.
And then some vocalies and he texts, OK, you are, you are a tenor.
Now I'm barit, you know, tenor and come to bass and all this, almost four
octaves in my voice because I'm very, very low and very high to I need to to conquer
again some kind of falsier to stuff because I'm singing in the region and down region
at the same time.
So I need to conquer again some higher notes, but the style is a style.
So they select me and I went to some barrio and stay by stay always stand by and that
time, you know, and both Broadway's, the rain sand, limbs are hot.
That's great.
It's a different experience, but it's also a challenging experience because just being
a singer is one thing, but to be singing in a Broadway play where you have action around
you, it's much different than being in a band.
Yeah.
Wow, so exciting.
So tell me, moving on past that, it looks like you were involved in doing some other
bands, like Whitesnake to be continued.
So with these like cover bands that you were involved in.
Yeah, they in Bara de Tijuca, where it's the same place, they make the first edition
of Rock and Rio 1985.
So in the 90s, hard rock affair, you know, it's open there, in that place, beside the
place of Rock and Rio stuff.
And suppose David Coverdale went there to bring some dress in the wall or so, you know,
something like that.
So a creates the Whitesnake to be continued in a play kind of study shows even there.
But in the end, didn't come to Rio.
But it's okay, we stay with the same project and tribute.
Oh, wow.
Yeah, no, it's very interesting.
So in the 1990s, the hard rock cafe was very popular.
And even here in New York City, we used to go down to see all the things that were donated
by the artist, a guitar, a leather jacket, an album, or whatever.
So I think it's interesting to hear that you were saying that, you know, Coverdale had
kind of a Whitesnake tribute in Brazil.
That you were able to play that music in a cover band for people in Brazil, especially
those that would have been there on vacation or tourism for the fact that you had that
ability to do all those shows.
That's a big attraction, especially since in the 1990s.
It was tough to see a Whitesnake show.
They weren't playing everywhere, you know?
Yes.
That's really cool.
Thanks for sharing that.
One of the best singers just because he's boys, normally the singer in rock and roll,
hard rocker, thanks, this kind of style, we listen to a higher note, you know, but they've
covered there with a bass, kind of the male voice's bass, baritoneal and thinner.
So you have somebody with bass voice, a singer like a thinner and sometimes like a soprano,
who's a female voice.
So you have that lazy voice, you know, what kind of voice, you know?
And at the same time, you're higher than this, so much higher than this.
So it's very cool.
So both guys in Whitesnake and Northern Gansam Rose, you have bass ties, B.D.S.H. and spaces
too.
So they've covered there, B.D.S.H. and Axial Rose, Axial Rose is the same key, you know?
Same to Natalie, but they move into what the throat, your throat can do something with
the exercise.
You move your throat during the months, the years you prepare your night, but you're
same with your mind.
Oh, wow.
I didn't realize that the three of them are in the same key, that they all three, B.D.S.H.
and Axial Rose and David Coverdale all sing in the same key.
That's interesting.
So now that we're speaking about B.D.S.H.H. and tell me how you got to meet him, because
the majority of your work is really, you know, most recently involved with B.D.S.H.
Yes.
What happens?
This is my first album, okay?
The last album, G.G.
First time, the second one.
I have a big friend of mine who didn't work with Steve White because he don't need to
do it, you know?
But twice he has a proposal of this guy.
He was a bass player in Brazil and a studying music institute like many guys in the end
of the ages and early snipes, okay?
Mario Leo, it was my first producer in this album.
I really miss him nowadays.
I know he's in south of Brazil, but we don't talk since we finished this record, G.G.
first time.
So the second one, it was G.G.
second half.
Supposed to be five records.
First time, second half, third step, four stamp and five stars, because many times I
play in hotels, five stars.
I'm turning the world even in Europe, including Miami twice, you know, with a note band here,
La Shaba, La Jaz.
And every time we five stars hotel.
So the 51 is supposed to be this.
But now back to the second half, the second record.
My cousin used to attend many, many plays when I come to Rio.
So hey, man, I'm used to man.
So my bass is four string and jazz bass, four string and five strings is in his house,
25 years, you know, and we don't sell this.
So when I met him, he gave me an idea.
Hey, man, I attend Mr. Big Show's, the one of the dog shows, songs of Apollo shows,
and every time the day after, I text to be lived by Instagram.
And we all know, because every time he's speaking about it, he made his song as social
media, you know.
So he asked me, Glauco, you have to ask Billy to be a special guest on one song, man.
Text him, please.
I know he will answer you.
Okay.
The day after, Billy she have, okay.
Whoa.
Okay, perfect.
So hello, master Billy.
I'm sorry for interruption.
This is GG, Glauco Ginner, half Brazilian, half Spanish.
By the way, with your permission, I would like to invite you, if that's possible, to
be a big star in my second record, I'll be working, you know, now.
And okay.
Hey, Glauco, mucho gusto en cantado.
My pleasure.
Thanks for having me, for contacting me.
Okay, but I need to listen to this.
That time I was doing pre-production.
Pre-production is a master is the click and produce session.
This is the boss click.
And every record I record only one acoustic guitar and only one voice.
By the way, the second half goes to the whole plot of performance with a guide voice.
I didn't record the voice after I got the song, you know.
So even nowadays, the same, right?
Sometimes I'll get this and record again and correct in English, you know, but sometimes
you have to post this and to release this.
It's okay.
It's a phase you level, you need to grow high.
So I sent you him three songs.
He choose about.
So two days after Glauco, unfortunately, oh, unfortunately, you know, unfortunately,
it's not like that.
Unfortunately, I can make it choose.
This is your part, man.
You choose the song.
But if you want me playing the bass on the three songs, we can have a good deal because
I think he loved the songs and all that songs.
So okay.
Okay, Bill, wait a minute.
Amour, Amour, that's my wife.
Amour, it was the end of 2021, September, October, then finished records in November.
Okay.
Amour, Bill is talking to me to have a good deal to the three songs, but now I want four.
Okay, talk to him.
Okay.
Okay, you helped me too.
Yeah, of course I support you.
Okay.
So I want four, Billie and Billie.
Okay, man.
We're in the other one and we start to, we're waiting the drums record and finish and send
it to him, the songs, you know, and the very important thing in this album is a curious
time too.
The bigger audience in Mr. Big and a Brazilian band called the Doctor's Scene, they was in
New York, leaving almost a year in New York in a little apartment and trying to do something
playing pubs and suddenly a man of Warner music contract them, you know, in 1992, 1991
contract, they signed.
So they come back to Rio and it was at the same festival with Mr. Big, but the band who
opened, it was in Santos Beach, some part of more than 100 people in the audience.
And I had a deal before Billie Sheehan with the two brothers of the band, Ivan Busik and
Andrea Busik.
So bass and drums.
So a Andrea, the master came in, man.
You realize, nobody, you have that deal, no, it's okay, you sing with me because Billie
will play the bass, man.
So Andrea played half of the album.
One song is 11 songs, one song is the only piano and a beautiful violin from a girl from
here from Malia, from Marla Alka.
And the pianist, it was the pianist of a producer of Alejandro Sam's.
Next week will be playing here in the big stadium, next Wednesday.
And that's it.
So I had billion four songs, but when he finished, hey, Glauko, we finished two songs with Scott,
my engineer.
And Glauko, tomorrow we finish the other two.
Okay, man.
Good, good, very good.
And the day after, send me the whole material.
And I, wow, man, Billie Sheehan, four basses.
Okay.
But 15 days after, hey, hey, Glauko, do one or one more song, me playing the bass on.
Of course, man.
So I send him what I know, it's a sound and rock stuff from your country.
It's a beautiful song.
And so at the end, he played eight bass lines in five songs.
That's the beginning with Billie Sheehan, my master.
That's amazing though, because it started out with an opportunity you didn't even know
if he would reply.
And it's almost more like you got triple of what you thought you would.
Yeah, it's amazing.
Yeah.
I met him several times and he's just so great to all of his fans.
He really appreciates the fan base, but he also loves music.
I mean, he is a musician through and through.
Really amazing.
So start to tell me about these songs, because these songs have Billie on them.
So this is the music that is titled under relentless gods.
Tell us about that title.
Yeah.
This is the last one.
Relentless gods, it was Mr. Big, the Big Finish Tour.
They started the end of maybe, if I can remember, the end of September 2023.
OK.
So I finished my gigs here in the end of October.
And he texts me after a show on the hotel, five stars.
Me and my brother played the bass many, many years with me in Italian guy, Mario
Gio, the same stuff, Nick Dibigio, the same place, the drama who plays with Mr.
Big and replace that sort of being and Billy tax me.
Hey, Blaukle, but you can imagine a rock star speaking with an independent guy, you
know, this man is simple.
The best rock bass player ever has no doubt about it when he creates this
recognition.
One, two, three, four, one, two, three, four, one, two, three, four.
So but he don't play one, two, three, four, one, two, three, four.
No, no, no.
And the whole Brazilian bass players started with his influence.
They tried to do, but they give up because nobody plays like this.
So he creates the techniques.
He uses stereo bass, that idea with a bass pickup here and the P precision in the middle
of the bass.
That's the sound.
All the stuff is there.
All the sound is there with distortion there and compressing things like that.
So help me because I'm going, going, going, then I can't come back.
Yeah, no, it's great though.
The what you're saying about Billy is so, so correct.
I mean, he's known.
Yeah, exactly.
It's just really known.
He's known as, you know, the guitar magazine, like the whole world knows he's like amazing
with playing as a bassist and everything.
How did you move into these songs?
Like I wanted to start talking about the first song.
My dream is on.
Tell me that.
The second song of the album.
That's so fast, so quick.
The end of October hit on Tech Meet and I understood when arriving in Rio in November,
eight days after.
Check it out.
Billy Tech's me.
What do you think of this?
I don't know.
He's a star.
So okay.
I'll, I'll interpret it my way.
Okay.
Okay.
So I'll create a boss.
A different boss.
Billy.
Master Billy Chiho.
The next year, 24.
I'll write my third album.
GG, third step, supposed to be this name.
And I would like to have you playing the whole bass this time.
So I have to come back, beginning of April, Chumaloa, but just Spain, start playing gigs
here.
But Mr. Big Finish to come to Rio April 28th, 2024.
So I remark my flight back to Spain and stay there.
My friends helped me because the last man I conquered was kind of October last year.
So it's too difficult once you leave the band music and to believe, still believe in
something.
So okay.
I tend the show and Master Billy, we, we attend the show.
A great show will happen in Rio de Janeiro.
Okay.
So I was in the garage, the beauty.
It's over the mountains.
It's beautiful poster.
Beautiful photo there.
My apartment in Rio, Leblon Beach, and then 5 p.m.
afternoon Rio.
Hey, man, do you need after show passes?
I answered, she was enough, but four is so much better.
So I put right in the bridge, the spot, you know, that my dream is on.
So I attend the show.
We went there.
We went in the Camarines and the know the same words in Camarines.
And the girl, the girl who works with people there with Mr. Big Dad was Sydney.
I met her in two place more, and I mastered them.
And meaning Eric Martins talked to me, Hey man, you again, I can't believe it.
You know, and now it's the then hey, but take a picture with us.
No, no, no, I'll go one more time.
I come one more time.
What?
You know, because Eric Martins girlfriend is a spatiana, a tattoo from Sao Paulo.
He's in New York, but he's a Brazilian too.
So we met and when the come to the Camarines in Rio de Janeiro, first time meeting person
with Biddishian.
First guy in the band comes out, whoa, Nick, you very, very, wow.
Hello, everybody.
I'll start with you.
But that, that, that, that, that, that, that, that, that, that, that, that, that, that, that,
that comes Eric Martins.
The first my cousin, his wife, me and my wife with my cell phone, human everything.
So nervous like that.
Okay.
Comes Eric Martins.
Tada, tada, tada.
You are glo-mo, no?
I said, hey, Eric, what a nice concert, man.
Don't, shh, wait, wait, wait, listen to me.
Really talks about you, man.
Congratulations, man.
You're the guy.
Beautiful words about you.
What?
Thank you.
Thank you.
So, it's something like that.
So he starts to solve with my cousin, his wife, with me and so much left and then, and
then, and then the third guy, Paul didn't came because it's not comfortable with the
throat because 40 degrees in real and the airplane and flights is kind of a 20, you know,
so you changed, not good, you know.
So he rests in the hotel, then came in the sheen.
And when he came to me, he changed, you know, hello everybody.
Good evening, good night, good night, good night.
All I can tell and change the language, you know.
I think he thinks about me like a Spanish guy that I'm half and half, but after he talks
about the Brazilian whole Brazilian record, so now he knows I'm once born in Rio de Janeiro.
So that's it.
Wow, that's so great.
So what we're going to do now is we're going to play my dream is on.
Wake him up for sure.
I think of not a day.
I'm riding a new song, stowing in the kitchen.
Think about the words.
I make some coffee and I walk to the porch.
Wonder about yesterday, looking after big stage.
The perfect band with the crowd, sing it to life.
I'm here again, yeah.
My dream is on.
If I am, I'm here again.
My dream is on.
I'm here again.
Shapped out on the floor, stopping on the grass, playing on the court.
I'm here again, far from home.
Another patch around me.
This time's not my dawn.
Happy to be there.
With our friends, we were so glad.
No words could be spied.
What we felt last night.
I'm here again, yeah.
My dream is on.
If I am, I'm here again.
My dream is on.
If I am, I'm here again.
If I am, I'm here again.
If I am, I'm here again.
My dream is on.
You asked me by a message to a need after she'll pass it.
I am the truth enough, but for so much better.
You told me how to go through.
You told me let's get on.
I'm here again.
I'm here again.
My dream is on.
If I am, I'm here again.
My dream is on.
If I am, I'm here again.
My dream is on.
If I am, I'm here again.
My dream is on.
My dream is on.
My dream is on.
My dream is on.
I also wanted to mention another song that you have called Sweet Little Teacher.
Tell me about that.
Sweet Little Teacher.
Les Martin and Lil' Gig in Rio de Janeiro on the bar.
There's four bars.
Right in the street they stop the street when a band, rock and roll band here.
A summer band there drinks here and block the street.
They block these four corners.
I've hired her because people from the high school.
I've hired her to Sylvana to show the song.
It was in the beginning of the night.
I'm late to finish my high school because I work with music.
I went to high school with my car.
Sometimes I drink some professor and teacher with me because he lives next to me.
You come with a car and people with 17 years old, 16 years old.
Little late to finish the studies in high school.
I used the most important year, last year, before I finished the high school.
I used the worst moment to do.
I became famous there in high school.
More than 2000 students.
I stopped during the silence of attacks, everybody.
Most important of the year.
I stopped and stand up.
With your permission, people want you to say something to this beautiful feature.
Blah, blah, blah, blah, blah, blah.
Everybody talks about it.
This song is another old song.
But I remodeled it and put this song in this album.
And relentless gods out.
He came from a little giga head in March, last March in Rio.
And she knows about the song.
And that's right.
That's very cool, very fun.
That's great.
So we're going to play a sweet little teacher now.
I'm going to play a sweet little teacher.
And that's right.
I'm going to play a sweet little teacher.
And that's right.
That's right.
Don't know all your secrets, all your fears, all your ways
To conquer my sweet little future
I can't still remember as mine
So I try, oh I try
I try, oh I try
Did you come?
Tell me what to do
No matter what
Kill me all your love
Did you come?
To show me what to do
I'll miss you so much
After I will
To ignore my sweet little future
I can't still remember as mine
Let me try, make you mine
Let me try
Did you come?
Tell me what to do
No matter what
Kill me all your love
Did you come?
Tell me what to do
I'll miss you so much
After I will
Before we talk about the last song
I just want you to tell everyone how they can reach you by social media
If you have a website or where they can find your music
And also any upcoming performances
My name is Klaus Kochenard
But let me spell to you everybody
G-L-A-U-C-C-O
And then the second name but you have a dot in between
Because I lose my first dot
G-N-R-G-I-N-A-R-D
Glaugegina with dot in between
That's it
Very good, so that's for social media
So what about you have Instagram and you have Facebook?
Yeah, the same
Same but without the dots
Alright, good, and what upcoming performances do you have?
Yeah, what happens?
You're a lucky woman because you can't imagine what happens one hour ago
The only guy don't know something about his exactly really
He is recording all three things at the same time
Hey Glauge, I hope to see you soon because I'm double A
I'll call you when I finish now
Producer is texting me
And so we have a producer in Brazil
So we have the drummer of the producer
We have a Duard de Nuy on guitar
The other part of Dr. Sin Ben who played with me in the second record
Now I introduce to Billy the author of the God
Relentless God, not me
I'm just introducing the guys
Relentless God
He is the guitar of God in South America
And this is simply the myth, the legend
The God of rock bass
Ever, that's it
I put them together
And the best audience of both guys
It wasn't Santa's Beach in 1992
So what is the big announcement?
Are you allowed to say it?
We have a big announcement
But we stay because in the 19th
I think in two weeks we will appear a thing
We record and Billy came together
But by television, all but monitor
The size of the stuff
When he appeared there, everybody goes crazy
And this kind of near-view, the nervous
The whole tradition, because a Duard de Nuy came with me
I bring two guys, friend of mine from Sao Paulo
From the band Dryated band, it's a very good band
And I had none of the air on bass and drums
Lailed by it
And a Duard de Nuy with me
And people think, okay, Glauco will bring Billy Sheeran on
And I invite him
And I came here, a Rantaca
I came here with my friend, the photographer
He's a very friend of mine, Brazil
And he came with me
And we stay one night in the hotel
And we went to the studio
And you think I'm kidding
I'm kidding
I'm kidding
I'm kidding
I'm kidding
I'm kidding
I'm kidding
I'm kidding
We still have some stuff
They're not going to tell me
What is it?
What do you think?
What do you think?
What do you think?
What are you talking about
And what do you think
And what do you think
I came to Sao Paulo
Do you think Billy will fail?
No, what?
People don't believe, you know?
So people don't believe until you happen
many, many years,
concentration, and pro-exiology.
Conscience is your soul,
and pro-exality is the projection of your soul,
because God's, or universe, gives you
the opportunity to train them,
to train them, leaving without body.
I know you know something about it.
Of course I do.
Of course I do.
Of course I do.
Yeah, I love this.
I love this.
Wow, very good.
Well, I want to bring up one of the last songs here
that we will discuss for the interview as Adrian and I.
So you said this is about your wife.
Tell me about this.
My wife, yes.
We don't have the 11th song.
The 11th song I wrote to Billy and Elizabetha, you know,
his wife, you know, it's the last song of the album.
But I select this.
Ariana Dies, I think it's the favorite song of Billy Sheehan.
And I can't remember.
Let's talk about when I received the bass.
Two and a half A.M.
nights in Mallorca.
So I was, listened to some messages and then drop box.
And put in the session, produce session, open other,
produce session.
Hey man, it's Taxinere at the same time.
When I listened to Ariana and I, I'll tell you a secret now.
A big, big, big secret now.
These guys, or these gods, like Death Leopard,
Ban Jovi, ACD.
These guys knows what happens in the whole world about music,
music message, about television or radio station.
They know before us, normal people.
Because what he selected, the year before, he selected this song,
we had, I wanna know the love is, no, Funga.
It's a famous song, but here in Europe,
every day, one year and a half.
But the year, it starts the Mr. Big Big Finish tour.
This song before, they come on stage and they're like,
no, he's, no, I dig it to the rush.
I don't, man, it's a crazy thing.
So we listen to, hey, let's go, hey, let's go, Ramon.
But he lives in USA.
How can he knows what people put in television one year,
papa, papa sequence, and, well, let's go, man.
No, no, this guy's different than the other people, you know.
So he used to do this song.
Okay, coming back to the lyrics, when we go out the end of first parts,
okay, constricts and music institute, I didn't study there,
but I know the part, introduction, first verse, first pre-chorus,
first verse, chorus, relax babe, half on introduction again,
come to second verse, come to second pre-chorus,
you can change some melody, some words.
When we start again, when we start the song, it's kind of harmony.
You know, give a band like with distortion, who's got to mix in,
man, I love this band.
Okay, put this band in, repeat and listen to this with me, 30 minutes.
I can do it.
You can do it, of course, you can do it.
Let's go, let's spend some time listening to this band.
Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
oh, so motivated in this song, you know, I think he is the chorus,
he's the bossa no habister, and plays samba in chorus.
So have a rock and roll.
And only one part, I put the same approach of, you really got me, fun hailing,
only one part.
That out of that pound down, so you can listen to, you really got me,
you really got me, so I think I got him.
Wow, that's amazing.
So what happens, when comes to the second tradition, move the bass,
and he explain him many, many, many interviews on YouTube,
and I'm famous, guys, who interview him.
So, the same stuff he use on, how can I say the song?
Words in my mouth is a takeover, you know, the same stuff,
but with the distortion that I'm, amen.
Yeah, I thought you, sorry, during my time, I have to explain this,
it's so curious.
Hey man, are you crazy?
I'm talking with finishing like that, I'm so emotional,
I think that time, you know, I have passed two and 30 in the morning in Spain.
I was sleeping, wake up, because I listened to my myself on it.
Hey man, are you crazy?
You wrote the bass line, it's kind of a, a moment simple,
distortion, suffocate, and regimen.
I love it, and right on, man, right on.
I kept without talking to him, and knew what he explained with that bass line.
Simple thing, simple thing, but so perfect to that arrangement.
I used to talk about my wife and me, because the curious thing in Relentless God's record.
I wrote eight songs, and my wife,
Hey my love, my life, you don't write any songs to me, okay, I have space to do it, okay?
Ariane and I, so in the middle, the second part of the song,
I'm talking about mythology.
Ariane helps physios until he goes to the labyrinth.
And all his goes in the Mino Tower, the beast, half boo, half men lost the fight,
and Ariane, Princess, her crown is the boreal constellation.
Half men, half horse, I'm Sagittarius' force, because I'm Sagittarius' force.
Because I'm Sagittarius.
She's boo-too, and she's boo-too.
And my name is Blue and Green, different greens, because my name in Portuguese dictionary
or in Spanish dictionary is Blue and Green, and the bass being used many times is Blue in my guitars,
whole guitar screens, even big, because my name means like that.
And darling, where you being in the mythology, because I discovered studying to write
only these words, I discovered the last brother of Ariane, Princess, it was a guy called Cloco.
What? What? Okay, we meet again.
So this is how you know we don't have only one life.
You can see on YouTube or social media now, a child playing piano like a master.
So, the guy over there. So, sorry, I made a mistake.
I'll put you in the body of these children now, Blue.
So the guy comes, b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b-b.
Take it in, but you know something, I'll tell you what.
So, we have to study this life to connect something to the other, because the roof goes like this.
You can't remember what you were the other life.
But if you try, that's it, the magical stuff.
That's beautiful. Yes, yes. I really love it. I'm very excited to hear all of your upcoming stuff happening.
I'm very excited to have you on the show to play your music, to hear that you and Billie Sheehan have such a great relationship through music.
It's just really incredible. We're going to play Ariane.
And I now, as we roll out for the interview, it has been a pleasure to interview you, Gloco, Gennon.
That's a pleasure. Thank you so much. Thank you. Thank you. Thank you, Katherine.
I love you. Just because the rainy days sometimes, it's better than a Saturday night.
There's things I'm part of me, but won't forget about you.
Take care of the halls, take care of what I'm on.
I'll be back late and have a laugh to November.
I look at her eyes, she takes a look at me now. I take her hand and show her how to play.
Ariane and I, she'll be good at that time. Everything's okay. I'll be good every day.
Ariane and I, live in a puzzle of our life. A little star in a world being occurred without you.
Without you.
Ariane and I,
I think you been good at that
time.
I think you can actually be worse.
You don't know how you died now.
Don't forget about what you Smallcase and the
separating should be so safe.
All I want is some real Milo howe.
Ariane and
Every empire should have gone in that time
Everything's okay, I'll be kind every day
Every empire, the better place out of our life
A little story won't be no good without you
Without you, without you
Together we'll have to take you home
I'll be that lady never after no family
I look at her eyes, she takes a look at me
Now I take her home
Show her how to play
Every empire should have gone in that time
Everything's okay, I'll be kind every day
Every empire, the better place out of our life
A little story won't be no good without you
Without you, without you
You have been listening to bringing the darkness to the light with Catherine Adele
Professional Psychic Medium, Dream Central Station LLC
My audio editor is Al Hemberger at the Law for Quoting Studios in Bronxville, New York
This is WNEW 102.7 FM Radio