Speaker Identification

Speaker 1 - Queen Missy, Host. The opening identifies Queen Missy as the host, and the same speaker leads the interview, introduces the guests, and closes the program.

Speaker 2 - Will Adams, Filmmaker. The host introduces Will Adams as the writer, producer, and filmmaker behind the featured movie. He discusses the concept, production choices, directing process, filmography, and future projects.

Speaker 3 - Randall Michael, Actor. The host introduces Randall Michael as an actor in the film. He discusses his collaboration with Will Adams, his character work, and the importance of trusting a director's vision.

Speaker 4 - Dee Dee Black, Caller and the host's daughter. The host introduces the caller as her daughter, apparently using both the names DeShawn Black and Dee Dee Black. The exact preferred name requires verification.

Speaker 5 - Film Clip Voice A. A woman in the first inserted movie excerpt who identifies herself as Erica and says she is the man's wife.

Speaker 6 - Film Clip Voice B. A woman in the first inserted movie excerpt who appears to identify herself as Jaina. The exact character name is uncertain.

Speaker 7 - Film Clip Voice C. A man in the first inserted movie excerpt who is confronted by multiple women.

Speaker 8 - Film Clip Voice D. An unidentified voice in the closing movie excerpt.

Speaker 9 - Film Clip Voice E. A second unidentified voice in the closing movie excerpt.

Speaker 10 - Film Clip Voice F. A third unidentified voice in the closing movie excerpt.

Speaker 11 - Film Clip Voice G. A fourth unidentified voice in the closing movie excerpt. The audio is highly fragmented, so character identities cannot be assigned confidently.

Speaker 1 - Queen Missy: Good day, good day. Welcome to Queen Missy's Talk Show, where Queen Missy is always up to something. Today, I am talking about TUBE-E Movie. I have two special guests sitting here with me. First and foremost is the filmmaker, Will Adams, and the actor, Randall Michael - not Michaels, but Michael. I want to welcome you both to my show.

Speaker 3 - Randall Michael: It is a pleasure to be here.

Speaker 2 - Will Adams: Yes, thank you.

Speaker 3 - Randall Michael: Thank you for having us.

Speaker 1 - Queen Missy: With that being said, let us get right into it. Will, you wrote and produced the film, and you were the filmmaker. The movie was made in Chicago. What made you come up with TUBE-E Movie?

Speaker 2 - Will Adams: After being online and seeing so many people roast bad movies, I created the movie they wanted to see. This movie is very self-aware. It allows the actors to break character and complain about the same things people complain about online when they watch movies like this. The audience is sitting at home saying, "That is the same thing I was going to say." They are laughing with us instead of at us.

Speaker 1 - Queen Missy: You went to school in Chicago at Columbus -

Speaker 2 - Will Adams: Columbia?

Speaker 1 - Queen Missy: Columbia. Columbia College?

Speaker 2 - Will Adams: Columbia College Chicago.

Speaker 1 - Queen Missy: The one downtown, not the one on Sheridan?

Speaker 2 - Will Adams: It was downtown Chicago.

Speaker 1 - Queen Missy: How long have you been involved in filmmaking?

Speaker 2 - Will Adams: A little while. I do not remember which movie number this is.

Speaker 1 - Queen Missy: How many movies have you made?

Speaker 2 - Will Adams: I do not know. I think it is around ten.

Speaker 1 - Queen Missy: Ten? Can you name them?

Speaker 2 - Will Adams: Let us not say ten. I will name them off the top of my head. We have Kidnap, which was the first movie, and My Enemy's Son, which was the second. There is the short If I Die Tomorrow; the feature Silent Endeavor; the feature Sex Ain't Love; the short Step Off the Block; the short My Last Time; the short A Third First; the short My Last Time Value 2; the short Work Dinner; the short Tender Looking Good; and A Job Is a Job. I think that is more than ten, right?

Speaker 3 - Randall Michael: That is why I would stop counting.

Speaker 2 - Will Adams: Then there is TUBE-E Movie. We also did a web series during COVID. That is how I met him - through the web series.

Speaker 1 - Queen Missy: This is funny. When you brought out the water and he grabbed it, I said, "Is that the right temperature?" He stayed in character because his character was a jerk.

Speaker 2 - Will Adams: He needed the water at a specific temperature. He wanted the caps pre-broken and all of that.

Speaker 1 - Queen Missy: Randall, you can join in anytime you want. Actually, let me come over to you. How did you and Will meet and begin collaborating?

Speaker 3 - Randall Michael: That is an interesting question. I will be honest with you: I do not remember meeting him at all. One day we just started working together, and it never stopped. He may remember. His memory is probably better than mine, except when it comes to lines, and we do not want to get into that.

I do know the first project we worked on together was called Plight of the Independent Filmmaker. It was our web series about two guys and the things they go through while trying to get independent films and shorts off the ground. We had a good time and worked together very well.

I love the way Will listens. He does not accommodate people to the point of bending over backward, but he listens to his actors and the people around him. He is not afraid of criticism or of hearing something that may go against what he originally thought. Of course, he has a vision, and with any director, you want to work within that vision. However, he is not the type of person who says, "It is my way, and that is it." He is very easy to work with.

Speaker 2 - Will Adams: I cannot tell.

Speaker 1 - Queen Missy: I do not know. He comes with me to my other interviews.

Speaker 3 - Randall Michael: I am telling you, it is true. I have worked with quite a few directors, and some will not budge on anything outside the realm of what they see. That makes it hard to be creative and hard to get your creative juices flowing. It is unfortunate.

Speaker 2 - Will Adams: I do not remember where or how we met, or who introduced us. I do remember saying, "We need somebody for this jerk character." Then I told you about it, and you said, "Yes, I know people like that."

What was interesting is that Plight was written in the voices of the people who were on set. It was written in my voice for me, in Lawrence's voice for him, and in another actor's voice for her. When you brought in your character, I had to create your voice from scratch because I thought that was how you really acted.

Speaker 3 - Randall Michael: No.

Speaker 2 - Will Adams: Every time we shot that character - like in the first episode of season two - do you remember the character?

Speaker 3 - Randall Michael: Raymond Boyd. I will never forget him.

Speaker 2 - Will Adams: He was one of those people who needed his M&M's sorted in his trailer, even though his trailer was his car.

Speaker 3 - Randall Michael: He definitely saw himself through rose-colored glasses. It was fun because you do not normally get to act like that. I am not one of those people, or at least I try not to be.

Speaker 2 - Will Adams: He said he had seen people like that, so he was able to mimic them perfectly.

Speaker 3 - Randall Michael: Indeed.

[An excerpt from TUBE-E Movie plays.]

Speaker 5 - Film Clip Voice A: Who is here?

Speaker 6 - Film Clip Voice B: You are.

Speaker 5 - Film Clip Voice A: I am Erica, his wife. And who might you be?

Speaker 6 - Film Clip Voice B: I am Jaina.

Speaker 7 - Film Clip Voice C: Your wife is here. Wait here.

Speaker 6 - Film Clip Voice B: This bitch -

Speaker 7 - Film Clip Voice C: Wait here. I have got you. Wait here.

Speaker 5 - Film Clip Voice A: Who the fuck are you?

Speaker 6 - Film Clip Voice B: Bitch, we just met. Remember?

Speaker 7 - Film Clip Voice C: Look, Aunt Amy -

Speaker 5 - Film Clip Voice A: No, we did not. Oh, that is right. You have this bitch claiming to be your wife, coming to my house, but you are not the person I just saw.

Speaker 7 - Film Clip Voice C: Baby, it is not what it looks like, okay?

Speaker 5 - Film Clip Voice A: What does it look like, then?

Speaker 7 - Film Clip Voice C: Look, baby, can we please talk about this in the car on the way home?

Speaker 5 - Film Clip Voice A: Say something.

Speaker 6 - Film Clip Voice B: I will make her ass -

Speaker 7 - Film Clip Voice C: Baby, stop.

Speaker 5 - Film Clip Voice A: Oh, you are strong, bitch. What the fuck are you doing?

Speaker 6 - Film Clip Voice B: I have something for your ass.

Speaker 7 - Film Clip Voice C: Baby, I am sorry, okay? Can we please go home and talk about this?

Speaker 5 - Film Clip Voice A: Talk about what? Are you cheating on me with two women?

Speaker 7 - Film Clip Voice C: Two women?

Speaker 5 - Film Clip Voice A: And who the fuck are you?

Speaker 6 - Film Clip Voice B: Damn it, bitch, we just met.

Speaker 5 - Film Clip Voice A: Who the fuck are you?

Speaker 6 - Film Clip Voice B: You knew who I was. You met me when you first walked through the door.

Speaker 5 - Film Clip Voice A: You are telling me I met you when I first walked through the door?

Speaker 6 - Film Clip Voice B: Yes, bitch.

Speaker 5 - Film Clip Voice A: You have one more time to call me a bitch.

Speaker 6 - Film Clip Voice B: What, bitch?

Speaker 5 - Film Clip Voice A: Oh, bitch!

Speaker 7 - Film Clip Voice C: Hey, hey, hey!

Speaker 6 - Film Clip Voice B: Wait, I am sorry. I do not want to die. You can have him.

Speaker 5 - Film Clip Voice A: No, all of you can have him.

Speaker 7 - Film Clip Voice C: Erica, what the fuck?

Speaker 5 - Film Clip Voice A: Why not? Of course this is happening.

[The film excerpt ends.]

Speaker 1 - Queen Missy: In the part with the multiple women and the wife catching him, that is like everyday life. Tell me about the reason for showing different women. I remember the part when they came to her house.

Speaker 2 - Will Adams: Here was the thought process. In bad streaming movies, they switch actors playing the same character all the time. I took that to an extreme. Instead of the characters acting as though nothing had changed, they stopped and said, "Hold on. Who is this?"

I have seen movies where a character is a tall man in one scene and short in the next. I have also seen a movie where two characters were supposed to be lawyers. They said, "Do you mind if we go into the next room and talk?" They went into the next room, and one of them suddenly had on a purple suit. Then they came back, and they were wearing the same suit. Nobody was paying attention during editing. It would have been an easy fix. They could have turned the movie black-and-white and removed the color issue throughout.

That is why our scene lands the way it does. When you watch one of those movies, you may say, "Wait a minute, that is not the same woman. That was his mother. That is his girlfriend." Then the other actor says, "No, it is not two women. It is the same woman."

Speaker 3 - Randall Michael: Right. The cherry on top was when she pulled out a gun and the other woman said, "I do not want to die. You can have him." Then she pushed the other woman forward.

Speaker 1 - Queen Missy: I thought they might have been alter egos coming to support her after he returned to the house.

Speaker 2 - Will Adams: They were all supposed to be the same woman. Specifically, they were supposed to be the same character. I could have put them in the same outfit, but I wanted them in different outfits to exaggerate how bad those movies can be. The movie is showing filmmakers, "This is what some of you are doing."

It is basically a guide for independent filmmakers on how not to make a bad movie. The disclaimer at the beginning says, "If this movie resembles anything anybody has done, it is purely coincidental. But if it does resemble something you have done, become a better filmmaker."

Speaker 1 - Queen Missy: I want to go back to when you first started. Did you begin filming with your phone, or did you use a camera? At what age did you decide you wanted to be a filmmaker?

Speaker 2 - Will Adams: When I started filmmaking, they did not have camera phones.

Speaker 3 - Randall Michael: They did not have camera phones?

Speaker 1 - Queen Missy: I am not even going there. That is okay. I am cool.

Speaker 2 - Will Adams: I started as a shooter because that was the easiest way into production. You could shoot something and say, "Here is the footage." Then I started working for other people. I did not like some of what they were doing, and I thought, "I can do that." I wrote a script, shot my first movie, and it was horrible.

Speaker 1 - Queen Missy: My daughter and I watched this movie.

Speaker 2 - Will Adams: I do not believe you.

Speaker 1 - Queen Missy: Yes, we did. She lives in that area, near I-94. There was a part near the expressway in Calumet City, then you went into the hundreds, and then you skipped from the hundreds. Did you also have a downtown scene?

Speaker 2 - Will Adams: That was the drama show.

Speaker 1 - Queen Missy: Who operates the drones?

Speaker 3 - Randall Michael: Probably the government.

Speaker 2 - Will Adams: Exactly what he said.

Speaker 1 - Queen Missy: The part that made me laugh involved the security guard or police officer. The man was taped up, and I started laughing because you used tape instead of handcuffs.

Speaker 3 - Randall Michael: Instead of handcuffs, right? That was all part of it. The major thing we were trying to do was get people to laugh with us and not at us. There is nothing wrong with taking yourself seriously. The problem comes when you take yourself seriously but do not follow the necessary steps to make a serious film. Like Will said, become a better filmmaker.

Speaker 2 - Will Adams: A lot of filmmakers put movies together and genuinely think the work is finished when it is not. Their friends tell them, "You are doing it, brother," even when it is bad. They are not your friends if they will not tell you how to improve. Sometimes you tell people how they can improve, and they get mad at you.

By displaying all these bad choices in the movie, I am basically saying, "Do not do that. Do not do that." It is a guide to what not to do. Somebody told me filmmakers would be mad when they saw it. Good. Be better, and make sure your movie looks nothing like this one. You do not want anyone saying, "That scene looked like it was stolen straight out of TUBE-E Movie."

Our scenes are intentionally done that way. In other movies, somebody may notice a baby crying in the background and say, "Leave it in."

Speaker 1 - Queen Missy: What about the grown-man baby?

Speaker 3 - Randall Michael: I loved that. It was one of my favorite things. Again, it is about continuity and bad casting. The child goes from being very young to suddenly being a dark-skinned, 50-year-old man. It is all part of the joke.

I keep repeating this because it is my mantra for the entire project: We wanted people to laugh with us. We also wanted filmmakers watching it to say, "All right, scrap this. We are going to do it again." Sometimes you have to do that. If you are so married to certain choices that you do not give yourself room to improve them, you will probably fail often.

Speaker 1 - Queen Missy: Wow.

Speaker 3 - Randall Michael: That is one reason I continue working with Will. He is not so married to an idea that he rejects an improvement just because somebody else suggested it. A lot of people are like that. If there is something we can do to improve the whole film or scene, he is usually open to it - except giving me more money. That will come later.

Speaker 2 - Will Adams: I give you a lot of money.

Speaker 3 - Randall Michael: I said more money.

Speaker 1 - Queen Missy: It will come back. You get a car, you get a car, and you are going to get more money.

Speaker 3 - Randall Michael: I love it. Seriously, I am a strong-willed person about certain things, but when you are working with people you trust, you can trust the process and trust the vision. You do not have a problem following when you trust where things are going.

Speaker 2 - Will Adams: He is talking about another project. It is not a web series. It is a pilot we are pitching, and we have three concept episodes. He is part of it.

Speaker 1 - Queen Missy: Tell us more about it. What is it?

Speaker 2 - Will Adams: It is basically Atlanta and Curb Your Enthusiasm on steroids.

Speaker 1 - Queen Missy: I love that. That is a good description.

Speaker 2 - Will Adams: It is about an out-of-work actor who fails upward. Usually, in shows like that, the character keeps failing, and that becomes the recurring theme. This character fails upward. Funny situations keep happening, but his life progresses.

I designed it that way because I was watching reruns of Three's Company. Jack would say, "I am not going to drink anymore," and in the next episode he would be in a bar drunk. He always wanted to become a chef. He would get close to becoming an exclusive chef and then lose the opportunity every time. I hated seeing that lack of progress.

In our show, the character gets a better apartment and keeps progressing. He is an actor, and his story moves forward. In one episode he is out of work. In the next, he gets an audition, lands the job, and advances. He continues moving forward even though he is failing upward.

Speaker 3 - Randall Michael: That was a large part of the appeal for me. Like Will says, the character fails upward. Sometimes success in life can come from a fluke, but he keeps showing up and putting in the effort to become better. I like endearing characters who feel like real people. You can relate to him because of his dumb luck and persistence.

Speaker 2 - Will Adams: It is dumb luck. He happens to walk into an opportunity and somebody says, "Do you want to audition today?" He says, "Oh, cool." Without giving away the show, he thinks he got an audition because the director wants to date his sister. The director is already dating his sister, but neither man initially knows they are related. That becomes a whole situation. It is already copyrighted.

Speaker 1 - Queen Missy: Did you also come up with the breakfast scene where they pretend to eat? I was watching and thinking, "Wait a minute. They are not touching the food." My daughter and I rewound it, and the characters actually say they are not putting food in their mouths.

Speaker 2 - Will Adams: You often see scenes where the plate is full, then suddenly empty, and then full again. I should have done that too.

Speaker 1 - Queen Missy: I should have been on set for that.

Speaker 2 - Will Adams: I missed the mark on that one.

Speaker 1 - Queen Missy: That is all right. There is always a sequel.

Speaker 1 - Queen Missy: In the police scene, the officer had the real gun and he pulled out a fake gun. She asked, "Please let me shoot him." Was that another real-versus-fake joke?

Speaker 2 - Will Adams: Again, people dress up a location and pretend it is something it clearly is not. They say, "We are in the interrogation room," but it is obviously somebody's bathroom. When she comes back in, she says something about the bedroom and walks away, because it is supposed to be an interrogation room even though it does not look like one.

Speaker 3 - Randall Michael: The best part is that this would not have worked as well as it did if the performers had not taken it seriously. We are laughing and having a good time, but whatever project you are working on, you have to approach it with seriousness and gravity. Otherwise, it will not come across.

Each of us took our parts and roles seriously. That is why I think it resonated with people. If you do not take the work seriously, it will not reach the people you want to reach.

Speaker 2 - Will Adams: It was all fun and games, but I was pleased because this guy sometimes goes off script, and this time he stayed on script. The script did the work. He said, "No, it is cool. I have got it."

Speaker 3 - Randall Michael: I do not sound like that.

Speaker 2 - Will Adams: That is how he sounds when he talks to me. On camera, he sounds different. Off camera, he says, "Well, I have got it."

Speaker 3 - Randall Michael: What does that mean, man? By the way, I do not like that phrase.

There were times earlier in our collaboration when we came in and things were not as prepared as they should have been. Will was much more prepared this time.

Speaker 2 - Will Adams: Prepared.

Speaker 3 - Randall Michael: There you go. It was also about my own growth and the work I have been putting in.

Speaker 1 - Queen Missy: Do you work better with certain actors or actresses?

Speaker 3 - Randall Michael: I have never been one of those people. I like to say I can hobnob from the skank to the swank. It does not bother me. I do not have to get along with you or personally like you to work with you.

Speaker 1 - Queen Missy: Really?

Speaker 3 - Randall Michael: Yes. Otherwise, he and I would never work together, because I do not like him.

Speaker 1 - Queen Missy: But you respect his work.

Speaker 3 - Randall Michael: Oh, yes. On a project, personal friendship is not as important as coming together around a shared vision. When people have like minds, share the same vision, and value the craft, they can work together.

Speaker 2 - Will Adams: He used to trust me a lot.

Speaker 3 - Randall Michael: Very true. Used to.

Speaker 2 - Will Adams: It is hard to get actors to trust a director. An actor may say, "I feel like the character would do this." I may respond, "That is crazy, because this is how the character actually is." I tell them, "We are going to do what I want first, and then we will try what you want." After we do my version and I ask what they want to try, sometimes they say, "Never mind."

I do not get that resistance from Randall. He says, "Okay, what do you want?"

Speaker 3 - Randall Michael: That comes from trust.

Speaker 1 - Queen Missy: Where do you see yourselves going from here?

Speaker 3 - Randall Michael: I am about to go out that door right over there.

Speaker 2 - Will Adams: Over the next couple of months, we are pitching Fluke. We have Fluke. We may also do another independent-filmmaker movie, but I do not know yet.

Speaker 3 - Randall Michael: I thought you forgot about that.

Speaker 1 - Queen Missy: Are you going to film in Atlanta or Chicago? I am from Chicago. Are you planning to work in Atlanta?

Speaker 2 - Will Adams: For what? It is all going to be in Chicago.

Speaker 1 - Queen Missy: Everything in Chicago?

Speaker 2 - Will Adams: Yes. There are good people in Chicago. I would rather work with people here.

When I first started auditioning people, I would ask, "Can you audition tonight?" Now I am at a point where I often do not need to audition people I already know. I can call Randall and ask, "Can you read this? Are you going to do this? Can you play it?" If he can, then that is what we are doing.

However, the formula I recommend to other filmmakers is not always the formula I follow now. If you depend on particular people, you get stuck working around their schedules because you know they can do the job and are perfect for the character. You ask, "What is your schedule?" They answer, "I do not do Mondays, Tuesdays, or Wednesdays. I do some Fridays. You can fit me in between 12:30 and 12:45 on Sunday."

The better formula is to write the script, find all your locations, and lock those locations in before giving the actors the script. As soon as an actor reads a script, the first thing the actor asks is, "When are you shooting?" If you say, "I do not know. I will let you know," then you may come back a week, a month, or a year later and say, "I am ready," but that actor is already committed to something else.

If you can say, "We are shooting April 19. These are the dates," then the schedule is clear. Even if I love Randall, if he says he already has something else, I have to move on because the dates and locations are locked. Then I can cast another person in the role.

Speaker 3 - Randall Michael: It is a good system.

Speaker 2 - Will Adams: It is a good system when I follow it. Sometimes I do not follow it because I like the people I work with. They also bring in other good people, like Jen. She was good.

Speaker 3 - Randall Michael: Shout-out to Jen. She did a good job.

Speaker 1 - Queen Missy: Why do you not give shout-outs to some of the other actors and actresses?

Speaker 2 - Will Adams: I would like to shout out Randall Michael for showing up today.

Speaker 3 - Randall Michael: And Will Adams for also showing up today. I appreciate it. I am glad you are here.

Seriously, it was a collective effort. We followed the process, trusted the process, and followed the vision. I think we executed very well, and people will continue to receive the movie well.

Speaker 1 - Queen Missy: They already are.

Speaker 2 - Will Adams: Seriously, people have said, "That is funny as hell." I have sent it to all my friends.

Speaker 1 - Queen Missy: I want to thank both of you for coming on the show. We also have a caller. I want to welcome my daughter, DeShawn Black, also called Dee Dee Black. She watched the movie with me and wanted to ask about it.

Speaker 2 - Will Adams: Before we do that, Dee Dee, I want to thank you personally for taking the time not only to watch the movie but also to call and talk about it. That is important. Thank you for watching, and please keep spreading the word about how much you enjoyed it. You loved it, right?

Speaker 4 - Dee Dee Black: Yes, I did.

Speaker 2 - Will Adams: Did you tell anybody about it?

Speaker 4 - Dee Dee Black: I told all my coworkers about it.

Speaker 2 - Will Adams: Did they watch it?

Speaker 4 - Dee Dee Black: I do not know whether they watched it, but I was telling them about it. When I go back to work tomorrow, I will probably put it on and show them.

Speaker 1 - Queen Missy: What did you think about it?

Speaker 4 - Dee Dee Black: I thought it was funny because I recognized the sarcasm from the beginning. I thought the grown man playing the son was funny. I also laughed when they said, "Come here, baby. Let us get this fake food." That was hilarious to me.

I thought it was funny when the man walked into a garage and acted as though he were walking into a warehouse.

Speaker 1 - Queen Missy: That actor is here right now.

Speaker 3 - Randall Michael: That is right. We appreciate it.

Speaker 4 - Dee Dee Black: I liked that part too. I thought it was funny.

Speaker 2 - Will Adams: I am glad you mentioned it. That is the part your mother fell asleep on.

Speaker 1 - Queen Missy: No. I was cracking up.

Speaker 4 - Dee Dee Black: She was laughing. She told me, "I do not even like what I am watching." I said, "These movies are trying to be funny." I do not usually like them, but I laughed the whole time.

Speaker 2 - Will Adams: That means she has to watch it again because she probably missed some jokes.

Speaker 1 - Queen Missy: I am going to watch it again anyway.

Speaker 2 - Will Adams: When we had the movie in the theater, I watched people watching it. Sometimes they were still laughing at one joke while another joke was happening, and I would get upset because I had written another good joke that they missed.

Speaker 1 - Queen Missy: That is good. It means they have to watch it again.

Speaker 2 - Will Adams: The first joke was supposed to give them a chuckle, and the second was supposed to knock them out.

Speaker 4 - Dee Dee Black: She was laughing like that, so she was not missing the jokes.

Speaker 1 - Queen Missy: Did I catch some of the jokes?

Speaker 4 - Dee Dee Black: Yes. When you rewound the eating scene, you said, "Are they really acting like they are eating?" I asked, "Do you get it?" Then you said, "Oh, yes, okay." I rewound it so you could catch on.

Speaker 3 - Randall Michael: We appreciate it. Continue watching movies with your mother to help her.

Speaker 1 - Queen Missy: I want to thank you both for coming on the show. I also want to thank my daughter for being part of it, Alan, and Miss Polly, who came to assist today.

You will be able to hear this interview on iHeart and other social-media and podcast platforms, including Apple. Stay tuned. We appreciate everyone who supports Queen Missy's Talk Show. I am so happy. Will you both come back again?

Speaker 2 - Will Adams: Nope.

Speaker 3 - Randall Michael: I would love to.

Speaker 1 - Queen Missy: We will be talking about the next Plex and what sounds like "M-A-N-S-A," although that reference is unclear in the recording. To find the film, search for T-U-B-E dash E Movie. Randall Michael is here with me, and you are going to love the movie. You are going to laugh. If you can, leave a comment. There is a place where you can say whether you liked the film.

Speaker 3 - Randall Michael: We do not shy away from comments that are not always favorable. If you have something to say, let us know. We would love to hear it.

Speaker 1 - Queen Missy: All things good with Queen Missy's Talk Show. Let us toast. Have a good night.

Speaker 3 - Randall Michael: Good night.

Speaker 2 - Will Adams: Thank you.

Speaker 1 - Queen Missy: Thank you.

[Another excerpt from TUBE-E Movie plays after the program closing. The dialogue is fragmented in the source recording.]

Speaker 8 - Film Clip Voice D: This is strange. This shit is not matching up. Man, this shit is trippy. What the fuck?

Speaker 9 - Film Clip Voice E: Baby, I am not following you. I had better look.

Speaker 8 - Film Clip Voice D: Thank you. Just kidding. I had better look. Oh, whoa. I am sorry.

Speaker 10 - Film Clip Voice F: Get on my fucking bed. Get on the bed, Gina. And you.

Speaker 9 - Film Clip Voice E: Baby, though, he is just a kid.

Speaker 11 - Film Clip Voice G: You cannot use that gun to shoot him, man.

Speaker 10 - Film Clip Voice F: You are right. He is 16.

Speaker 11 - Film Clip Voice G: Daddy, I am going to beat you like you -

Speaker 9 - Film Clip Voice E: That is a ghost. She just said he is 16. Stop!

Speaker 11 - Film Clip Voice G: You have a ghost. That is a toy gun, man.

Speaker 9 - Film Clip Voice E: Baby, stop. Babe, you have to get him.

Speaker 11 - Film Clip Voice G: No. You have a ghost!

[The excerpt ends.]