JP SOTTILE is a freelance journalist, published historian, radio co-host and documentary filmmaker. His credits include a stint on the NewsHour news desk, C-SPAN, and as a newsmagazine producer for ABC affiliate WJLA in Washington. Joseph “JP” Sottile is a two-time Washington Regional Emmy Award Winner. Documentary film credits include: writer, director, producer of The Warning and various production and photography credits on other public interest films. His weekly show, Inside the Headlines w/ The Newsvandal, co-hosted by James Moore, airs every Friday on KRUU-FM in Fairfield, Iowa. He is the Newsvandal.

'Y E S'  LEGENDARY DRUMMER/ ROCK AND ROLL HALL OF FAMER  

ALAN WHITE

ON THE RAY SHASHO SHOW

Alan White is considered by many to be one of the greatest rock drummers of all-time.  With forty-plus years of performance experience and appearances on over fifty albums, Alan’s dossier reads like a who’s-who of rock legends.  With his consummate professionalism and easy-going nature, Alan continues to be an inspiration to fellow musicians as well as fans.

 In the summer of 1968, Alan was asked to join Ginger Baker’s Airforce, a new group being put together by the former drummer of Cream and other noted musicians from England’s music scene including Steve Winwood, formerly of Traffic.

In 1969, Alan received what he thought at the time to be a prank phone call, but was actually John Lennon calling to ask Alan to join the Plastic Ono Band.  The next day Alan found himself learning songs in the back of an airliner en-route to Toronto with Lennon, Yoko Ono, Eric Clapton and Klaus Voorman.  The ensuing album, Live Peace in Toronto, sold millions of copies, peaking at number 10 on the pop charts.

 Alan’s association with Lennon continued, recording singles like ‘Instant Karma’ and  the subsequent landmark album, Imagine, with Alan providing drums for the title song, ‘Jealous Guy’, and ‘How Do You Sleep at Night’. Alan’s work with Lennon led to an introduction to George Harrison, who asked Alan to perform on the album All Things Must Pass, including the hit single, ‘My Sweet Lord’,  released in 1970.

In June 1972, while on tour with Joe Cocker, Alan got a phone call from his manager, Tony Dimitriades, who said that Yes wanted him to join the band. His current tour was ending so he flew back to England for a meeting with Jon Anderson and Chris Squire, who told him that he was joining Yes or “they were going to throw me out the third-story window,” recalls Alan.

Three days later, on June 30th, Yes, along with their new drummer, opened their US tour before 15,000 fans in Dallas, Texas.  Alan and Yes gave each other three months to see if it would work out, and more than thirty years later, Alan is an integral part of the band, having played on every Yes studio and live album recorded since.

Founded in 1968 by Chris Squire and Jon Anderson, Grammy-award winning recording artists YES have created some of the most important and influential music in rock history, such as iconic pieces “Roundabout,” “Close to the Edge,” “I’ve Seen All Good People,” “Owner of a Lonely Heart,” “Starship Trooper,” and countless others. Its albums, including Fragile, Close to the Edge, Tales from Topographic Oceans, Relayer, Going For the One and 90125, have been certified multi-platinum, double-platinum, platinum, and more by the RIAA, and have sold over 50 million records total in its career that has so far spanned almost five decades. Among the world’s most influential, ground-breaking, and respected progressive rock bands, YES continues creating masterful music that inspires musicians, fans and music lovers around the world.

Never having lost his love for piano, Alan has recorded several keyboard parts for Yes as far back as 1974, when he tracked backing piano for the conclusion to ‘Ritual’, when Yes keyboardist Rick Wakeman was unavailable. Alan continues to play piano to this day, and was featured on several tracks on Yes’ 2001 album Magnification, as well as live keyboard performances on the subsequent tour.

Time off from the Yes’ hectic touring and recording schedule allows Alan to pursue other projects as well.  With longtime friend and technical guru, Reek Havok, he formed ‘Crash and Bang’, to provide music for the entertainment industry, including video games and television shows. “It also serves as a testing ground for new music hardware and software and new approaches to music and it’s psychological effects on the user and an excuse to plug the wrong things together just to see what happens!”, adds Reek.

In 2005, Alan formed a new band, aptly called White, who released their self-titled debut album in January 2006.  White performs regularly in the Seattle-area, when time permits.

In recent years, Alan has performed with a variety of artists, including Spencer Davis, The Ventures, Charlie Daniels and Eddie Money, to name but a few.  In 2007, Alan played alongside Keith Emerson, Simon Kirk and Yes bassist Chris Squire at the Ahmet Ertegün memorial show, as part of the opening act for Led Zeppelin.  He also conducts numerous drum clinics around the country and around the world to encourage and teach other drummers.

Alan and his wife Gigi are very active in the Seattle arts community, serving on the board of directors for Music Aid Northwest, Northwest Program for the Arts, and the Seattle Theatre Group.  Alan is also a member of the Seattle Chapter of The National Academy of Recording Arts & Sciences.

YES will be inducted into the Rock and Roll Hall of Fame for the Class of 2017, The induction, following two previous nominations, will occur one year shy of the legendary progressive rock band’s 50th anniversary.

For additional information about YES and Alan White visit ….

nd don’t forget to purchase a copy of my book entitled Check the Gs -the true story of an eclectic American family and their Wacky family business … or the second edition entitled … Wacky Shenanigans on F Street- ‘Proud to be Politically Incorrect in Washington DC’ ... available now at amazon.com. You’ll live it!!!

Have a great week everybody!

Scalar energy is the fundamental life force found everywhere in the world, space and universe. It originates from the sun and stars. Chi, prana, OM, mana, life force, pyramid energy or zero-point energy are synonymous terms for scalar energy.

 

I began research with scalar energy during my undergraduate years. Inspired by various scientists, especially Nikola Tesla (a genius who invented alternating current), I was curious to learn more about the existence of an energy that was not of the electromagnetic spectrum. I pursued a course of independent study in order to better understand and subsequently harness scalar energy, as this emerging science is not taught at the university level.

 

One of my scientific predecessors was T. Galen Hieronymus, a resident of Georgia and one of the few scalar energy researchers in the United States in the last century. I read Galen's notes and used his instruments after his death.

 

Some of Galen's inventions, according to a 1977 magazine article, were "quasielectronic instruments that could (a) analyze the component elements of an ore sample without spectroscopic, chemical or other orthodox methods, and, most surprising of all, (b) influence (even kill) living organisms, even from vast distances, with no scientifically understandable mechanism at the other end."

 

I theorized that all energy in the universe initiates as scalar energy; and that the sun of our solar system and the stars of the universe are the points of origin, "the storehouses," for scalar energy. I further theorized that scalar energy is instructive energy, as the entire universe is instructed by this Divine Essence. Subsequently, all spiritual, cognitive, emotional and physical action in the universe is initiated and maintained by scalar energy instructions. Scalar energy provides order in the universe.

 

Based on these theories and the work of scientists who came before me, I was able to develop scalar energy instruments capable of harnessing and transmitting instructive energy to heal human subjects remotely. You can think of this as similar to a radio broadcast with my instruments as the broadcaster, and your body as the receiver. The difference is that the energy transmitted is not electromagnetic, and is therefore immeasurable by traditional science.

 

My instruments provide a remote, fast, harmless and painless treatment process that has successfully healed patients with HIV/AIDS, Ebola, herpes, hepatitis, Lyme disease, and over 400,000 pathogens that cause disease. They administer the scalar energy reverse-phase angle harmonic of a pathogen, thereby causing that agent of infection to disassemble or fall apart. Bacteria, viruses, fungi and protozoan, can all be disassembled, representing a cure for thousands of diseases. Once the causative agent of a pathogen disease has been eliminated, the symptoms associated with that infection decrease or disappear altogether.

Lab experiments were conducted in 2015 that served to prove that my scalar energy pathogen cleanse disassembles and subsequently destroys micro-organisms at a distance by way of a photograph.

 

An independent, out-of-state laboratory submitted magnified photographs of various species of living protozoan to me to be treated by way of the scalar energy instrument. Four experiments were conducted in which various species of Paramecium, Volvox, Amoeba, Euglena and Stentor were treated with scalar energy, resulting in these protozoa being disassembled and subsequently destroyed.

 

The lab experiments were video recorded in order to substantiate the efficacy of the scalar energy pathogenic cleanse to disassemble and destroy pathogens. You can check my websites to see the results!

 

Tom Paladino is a scalar energy researcher based in Florida. For full details on how you can receive scalar energy treatments remotely, call 805.364.3051.

https://www.facebook.com/experiencescalar/

CHIEF INVESTIGATOR FOR MUFON NEW JERSEY AND STATE DIRECTOR FOR MUFON VERMONT AND RHODE ISLAND. 16 YEARS IN MILITARY AND VETERAN FOR DESERT STORM IN 1991, PRIVATE PILOT, UFOLOGIST AND EDITOR AND FOUNDER

When John and his bride, Joyce exhaust their savings to escape to the Arizona desert form the Midwest, they only know that Stardust Ranch is the perfect place to start a family and for John to recover from the rare genetic illness that has plagued him. It seems a serene way of life to the couple, and they soon offer refuge to a host of abandoned animals that include dogs, horses, and birds.

 

Yet John unknowingly carries a trait within his DNA, and it is somehow connected to a strange rift between realities located on the ranch. These rifts are portals used by beings of every vibration and intent to travel here from other dimensions.

GARY JONES

In 1967, Gary Jones began his professional life as a puppet artist in Chicago as the scenic designer of the world famous Kungsholm Miniature Grand Opera. Jones’ unusual talents were immediately praised through his imaginative productions of The King & I, Porgy & Bess, Gypsy, My Fair Lady, Oliver, and Bizet’s Carmen.

In l975, he founded his own company, The Blackstreet USA Puppet Theatre which presents “Gary Jones & The YUPPETS” (Young Urban Professional Puppets).

Since then he has handcrafted hundreds of puppets, trained several aspirants in his unique performance technique and witnessed his work applauded by both national and international audiences. Box office attendance records were broken for his residencies at The Smithsonian Institution, Division of Performing Arts in the ’80s.

Over the years, Jones has created an original and eclectic repertoire suited for both adults and young people with a cutting edge focus on dance.

He has been the recipient of numerous grants and awards including “The Crystal Castle” from the Walt Disney Corporation for his outstanding work with children. His work has been written about in countless reviews and newspaper articles. In l998 People magazine profiled his unique efforts integrating art and the educational experience illuminating such controversial topics as AIDS, conflict resolution, drugs, and self esteem.

Jones harbors a very deep concern for senior citizens and has volunteered countless performances in convalescent homes in Los Angeles.

The opulent elite world of the Kungsholm Miniature Grand Opera of Chicago which Jones experienced as a teenager conditioned him in ways which are still visible in his vocation as a puppet and doll artist. Once he began working there his daily exposure to high European culture inevitably led him to other such forms. One such heretofore closed world was the international ballet stage. Today he admits his balletomania with a smile. With pride he relates the charmed reactions of Ruth Page, Cynthia Gregory, Paul Russell, Charmaine Hunter, Alvin Ailey, Garth Fagan, and Dwight Rhoden to the Blackstreet USA Puppet Theatre. Their influence on his performance technique is witnessed in an undeniable favoritism lavished on the dance puppets in his theatre.

His devotion to a vegetarian diet and daily yoga echoes the lifestyle of the dancer life he discovered too late to join. He has been criticized for this absolute immersion in art. There was no television in his home for 30 years! And living in Los Angeles has not changed the fact that he attends a film once a year, if that. He is overly familiar and critical of neighborhood libraries and considers a visit to the central building a treat.

He attributes his addiction to books to the influence of his late brother who earned a Ph.D. at 25.

“Maybe I’m still competing with him on some level.” Jones is a walker and explorer of his adopted Los Angeles and its sometimes bizarre architecture. Unfortunately on occasion he has aroused police suspicion when observed inspecting the details of structures that fascinate and inspire him. Yet as an amateur photographer he rarely snaps the buildings. The camera lens is always directed at his puppets or dolls. With the snap of the shutter he maintains that he sees deeper into each character. Often this insight leads to the creation of a new figure or time at the keyboard writing a new script.

Gary has said that, “art speaks directly to our souls…it is from this place that we can begin again in joy.”

MIKE MOODY

A caffeinated 22 year old with endless authenticity. Mike’s mojo as a musician is to emulate the Soulful sounds of the 70’s with his hometown Michigan style. When you follow signs for I-94 East from LA to the MOTOR CITY, you’ll eventually end up where it all began for the songwriter. Mike moved to California at the beginning of 2016 and has been building his music career and followership over the last year. He has performed over 120 shows in California thus far and is motivated to continue expanding his resume.

Mike has also been featured in Music Connection Magazine’s 2016 List of Hot 100 Unsigned Artists. Mike recently graduated from Musicians Institute where he met his partner, Andy Vimar, in the Guitar Program which was the foundation for their band, Mike Moody and the Motion. The band is releasing their first single in the summer of 2017.